Welcome back to our double feature with Paul Hall.

We just did Pinocchio and blew your minds with all of the esoteric arcana in that little cartoon.

And now we are going to take on hunchback of Notre Dame.

How did you like the movie?

I did not really like the movie.

Well, okay, you know, the art is weird because, like, although I was simping a little for the art last episode, this one, I will say, good art.

But it's like doesn't have that in the movie, like the substance of the movie was just so difficult.

Like it made it hard to goopo over the art as much on this.

Well, yeah, I think they really went to weird places in this movie.

So this is 1996.

Walt Disney, straight off of the heels of their, what do you call it, the Golden Era, Little Mermaid,

Beauty and the Beast, Aladdin, Lion King, all classics, all beautiful.

And then you have this hunchback, 1996, right?

This, like, basically it is the Quasimodo of Disney movies.

Like, it is unsightly, it is weird, it is uncomfortable, dark, all of the things.

But before we even talk about hunchback of Notre Dame I wanted to start with Gothic architecture what do you think

I think that's great because I have a super cool article I want to read some excerpts from on Gothic architecture

okay so start and then I'll read my article and then we'll uh it's not my article, it's when I found, yeah, yeah.

Perfect.

Okay, so this movie is based on a book that was written in 1831 and it actually takes place in 1482.

So we are smack in the middle of medieval times, right?

We are in the dark ages, as they would say,

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