4.8 • 2.1K Ratings
🗓️ 2 February 2023
⏱️ 33 minutes
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0:00.0 | Hey everyone, before we begin, I want to let you know that my class creating a narrative |
0:05.8 | podcast is back to being in person at NYU. |
0:10.4 | If you live in the New York area, classes begin on Saturday, March 4. |
0:14.7 | You can sign up on the website for NYU's School of Professional Studies. |
0:18.3 | Also, if you're interested in advertising on the show, we have a new email address for |
0:22.6 | you to contact. |
0:23.9 | You can reach us at sponsorsatmultitude.productions. |
0:28.4 | Thanks. |
0:29.4 | You're listening to Imaginary Worlds, a show about how we create them and why we suspend |
0:39.2 | our disbelief, I'm Eric Mulinsky. |
0:42.8 | Over the last six months, I've been following two stories about visual artists in different |
0:47.4 | mediums. |
0:48.8 | And there are a lot of parallels between these stories. |
0:52.4 | Both stories are about artists who make a living creating fantastical images, but they're |
0:57.0 | not sure if they can keep doing what they love anymore. |
1:00.3 | And what's hampering their careers is a supercharged mix of high tech and capitalism. |
1:06.0 | In both stories, the artists have tried to change things from within the system, but it's |
1:10.1 | not working. |
1:11.5 | So they're trying to take matters into their own hands. |
1:15.0 | And both stories reflect larger issues around how we value commercial artists in our society. |
1:22.8 | This began with the story of visual effects artists working for Marvel. |
1:28.0 | Visual effects take up a lot of screen time in the Marvel Cinematic Universe. |
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