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clip. This is not just one book, so I'm assuming you haven't read either the second or

third book in this franchise? I have not. No, but we'll credit the author Frida McFadden.

She's apparently a very well-respected author of thrillers

like this. And I look this up on Deadline. She apparently has no less than four adaptations

in the works of her stuff. But I think this is the only one from the House Made entries that is

currently being adapted. Well, and I was like, well, cool.

So Paul Fee can make a sequel.

But like, I've seen quotes from him recently where he says, you know, because he's wanting

to go back and do a sequel to Spy, which I was like, yes, please.

I wanted that 10 years ago.

Oh, God.

But then I think because of the maybe, it wasn't a muted reception to a simple favor,

but it was less than enthusiastic, I'll say. I think he's kind of like, oh, like, do I want to do another sequel and give people more of the same? Well, no, you want to give them a sequel that's, you know, not more of the same. It's weird that he's only considering sequels as well. Like, baby, you can do original titles. Look at this. But that being said, though, I'm assuming the sequels to this book only involved the Millie character. But I was kind of hoping she would team up with Amanda Seifred, Amanda Seifred's Nina, and like they would go, you know, have it ridges together. Let's Thelma and Louise this bitch. But yeah, I will recommend this as well. I'm waffling between a three and a half and a four. Like it was okay for most most of the movie, I was like, yeah, that's like a three and a half. It's like solid. It's good. And by the end, I was kind of like, oh, I really just enjoyed myself so much with the climax of this movie. I'm tempted to push it to a four. Okay. Yeah, I think I settled around a three and a half. I do think it's solid. I think that the performances are, I'm going to say the E word.

They're elevating this material a little bit because this is very pulpy, propulsive thriller

territory.

Like if you read lady thrillers, this is going to feel firmly entrenched within the subgenre.

Yeah, this was, and I don't mean this is as a negative. Like, it's a big budget lifetime movie with elements, with elements of an early 90s domestic thriller like Sleeping with the Enemy. Fucking 100%. Yeah. What's bringing this up is the caliber of the star power, really. Well, but at the same time, though, I was watching this, and I was like, wow, we don't

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