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Classic Ghost Stories

The Hounds of Tindalos by Frank Belknap Long

Classic Ghost Stories

Tony Walker

Fiction, Drama, Science Fiction

4.9686 Ratings

🗓️ 29 April 2022

⏱️ 50 minutes

🧾️ Download transcript

Summary

The Hounds of Tindalos by Frank Belknap LongFrank Belknap  Long was born in 1901 in Harlem, New York (not the Netherlands) and died in 1992 aged 92 in Manhattan.He was a horror and science fiction writer and is most famous for his contribution to the stories of the Cthulhu Mythos.The Cthulhu Mythos begins with H P Lovecraft, but many other authors have contributed towards the corpus of stories that the faithful call ‘The Canon’.   It was his 1921 story The Eye Above The Mantel that caught Lovecraft’s eye. That story was a pastiche of Edgar Allan Poe and I have elsewhere commented on that histrionic overblown prose that contains many screaming crazy dudes and occult blasphemous horrors which is found first and best in Poe, then Lovecraft and here in this lovely story.Frank and Howard maintained a long correspondence. Lovecraft was famous for his lengthy and multiple pen friendships as he sat shut up and nervous in his room. He became a mentor to Frank. Frank contributed to the pulp magazinesThe Hounds of TindalosChalmers. Prefers illuminated manuscripts to adding machines and leering stone gargoyles to automobiles. Who doesn’t?  He has a long nose and slightly receding chin. His bookcase has medieval pamphlets about sorcery, witchcraft and black magic (surely triple tautology)  but again, what’s not normal in any of this? Although I think that Frank is setting it up for the norms so they get the idea that Chalmers is a bit weird. He has the same name as the Australian Philosopher David Chalmers who famously came up with the term ‘the hard problem’ to describe how in a materialist way of thinking, matter can give rise to subjective experience. It’s as hard a problem as how cows make lollipops. We simply can’t figure either of them out.So, Frank is using ‘modern science’ in the guise of Einstein to undermine the self-confident materialists, particularly regarding time. He throws this is in like spice. He lets us know that Einstein is relative: we each have our own versions.  Our interlocutor is our avatar. Think how hard it would be to write a story with one character? You need two to bring out the exposition. Anyway, on we go, getting more and more theatrical with each sentence. But this idea about curves and angles seems original and it is quite weird. Like Lovecraft’s Colour Out of Space, an abstract idea like a colour or an angle can be jarringly weird. Weird is all about juxtapositions that should not be, and taking things out of context because they are juxtaposed with other, odd contents.It sort of reminded me of H G Wells’ The Time Machine particularly the 1950s film version. The Hounds of Tindalos was the first Cthulhu story written by anyone else than Lovecraft and we have references to Dholes and the Elder Races. Other than that, there is no clear connection, unless a Mythos buff can correct me. The Hounds of Tindalos are not actual dogs in this story. Other Mythos writers like Ramsey Campbell, Lin Carter, Brian Lumley and Peter Cannon reference the Hounds.  The the name Tindalos sounds Greek and there are references ‘The Greeks had a name for them, ‘ I don’t think Tindalos means anything.The name Halpin is one I have only come across before in the work of Ambrose Bierce The Death of Halpin Frayser . Perhaps it is a common name in America, but I’ve heard in speech here. 20lb of plaster of Paris seems a lot. Despite the plaster of Paris smoothing out the corners of the room (I should have liked to have seen that), the Hounds find a way in by causing an earthquake which causes the plaster to fall and thus angles are created…A hopeless maniac. I could tell you about those.   With the lSupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Everybody dies, don't they?

0:10.5

Everybody come back, isn't that so?

0:14.4

You tried to get into the locked drawer today, didn't you?

0:17.1

How do the dead come back, mother?

0:20.1

The Hounds of Tindelos by Frank Belknap Long.

0:25.8

I'm glad you came, said Chalmers.

0:28.9

He was sitting by the window and his face was very pale.

0:33.2

Two tall candles guttered at his elbow and cast a sickly amber light over his long nose and

0:39.6

slightly receding chin. Charmers would have nothing modern about his apartment. He had the

0:45.9

soul of a medieval aesthetic, and he preferred illuminated manuscripts to automobiles and

0:52.0

leering stone gargoyles to radios and adding machines.

0:56.8

As I crossed the room to the city he had cleared for me, I glanced at his desk and was

1:02.3

surprised to discover that he had been studying the mathematical formulae of a celebrated contemporary

1:08.5

physicist and that he had covered many sheets of thin yellow paper

1:12.9

with curious geometric designs.

1:16.7

Einstein and John D. are strange bedfellows,

1:19.7

I said, as my gaze wandered from his mathematical charts

1:22.9

to the 60 or 70 quaint books

1:25.2

that comprised his strange little library.

1:28.7

Plotinus and Emmanuel Moscopulus, St. Thomas Aquinas and Frenical de Bessie stood

1:34.4

elbow to elbow in the sombre ebony bookcase, and chairs, tables and desks were littered with

1:40.5

pamphlets about medieval sorcery and witchcraft and black magic, and all of the

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