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You know, too, so there were some reviews, some of the negative ones that were calling

this like a convoluted mess or one that I saw, I think this was the Hollywood Reporter where

it was like five episodes of buildup and four episodes of just constant exposition. And I'm like,

I don't, the exposition though, which I think really starts in episode five with the Hannah Gross

episode, the exhibition is done in such a

cool way with how they do death and memories. I don't understand how that, like if you're going to

do exposition, find a creative way to do it. This show does that. Yeah, yeah. And the funny thing is,

is that it's not incredibly showy. Like, if anything, what episode five and eight in particular felt to me, and maybe this is

one of the reasons why I ended up liking this season so much, it felt like the most contemporary

version of Lost that I've seen on television since that show went off the air. So, okay, okay, I'm glad that you bring up another show because I have a similar, I do see

where you're coming from with Lost. What I was thinking of for a lot of this, too, was the first

...