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Best of the Spectator

The Green Room: the last interview with Pete Shelley of Buzzcocks

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 11 December 2018

⏱️ 22 minutes

🧾️ Download transcript

Summary

Pete Shelley of Buzzcocks passed away last week at the age of 63. A long-term fan, Dominic Green talked to Pete in November this year. They talk about experimenting with punk, performing live, and the power of music. 

This interview was first released as a podcast on November 27 on Spectator USA's The Green Room podcast.

Transcript

Click on a timestamp to play from that location

0:00.0

This is Spectator Radio and you're listening to Life and Arts with Dominic Green for Spectator USA.

0:09.9

Hello, I'm Dominic Green. I'm Life and Arts editor of Spectator USA, and I'd like to welcome you to the Green Room, our weekly Life and Arts podcast.

0:20.4

This week, I'm casting the pod with Pete Shelley,

0:24.2

lead singer and principal songwriter for Buzzcocks. Buzzcocks formed in Manchester, England in

0:30.1

1976, they broke up in 1980, reformed in 1988, and are still going strong. Their first two albums have just been reissued by Domino Records.

0:41.2

Pete Shelley, welcome to Spectator USA.

0:44.1

Thank you.

0:44.9

So the occasion is the reissue of the first two Buzzcox albums,

0:50.6

and now the music in Different Kitchen, and Love Bites.

0:53.9

When you heard them, how did they

0:55.9

sound to you? Well, it's usually a long while in between me actually listening to me,

1:02.2

back catalog, so to speak. And normally when I listen, it's just almost his background.

1:08.7

But I had listened to them before because I just had a book of lyrics published,

1:16.2

so I had to go and check everything.

1:18.4

I'd been listened to him about six months ago,

1:21.1

as I was compiling the lyrics for my lyric book.

1:24.4

I wasn't really paying attention to it.

1:26.8

But when they first started sending over

1:29.7

the 24-bit masters from the costume room, it took a while to get used to how it sounds,

1:37.4

because I suppose everything's heard differently now. Either hear it on earbuds or headphones, and it's very rarely that you actually sit down and listen to

1:48.6

something and it's full splendor. When I hear that music I still feel, I mean to quote one of your

1:55.1

lyrics almost like I'm 16 again, but is it the same for you having made these recordings, hearing them again, as you're

...

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