4.6 • 806 Ratings
🗓️ 3 May 2019
⏱️ 31 minutes
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0:00.0 | Hello, and thanks for tuning in to another episode of The Directors' Cut, a podcast by the Directors Guild of America, |
0:07.5 | featuring today's top directors sharing behind-the-scenes stories of their latest films and insights into the craft of directing. |
0:14.5 | Please take a second to subscribe to our show wherever you get your podcasts. |
0:32.0 | This episode takes us behind the scenes of director Peter Bogdanovitch's new documentary, |
0:36.5 | The Great Buster, which chronicles the life and works of the influential filmmaker and comedian Buster Keaton. |
0:38.3 | Interspersed with interviews with collaborators, filmmakers, performers, and friends, |
0:43.3 | the film examines Keaton's career as the director, writer, producer, and star of his own films, |
0:49.3 | as well as the loss of artistic independence and career decline that marked his later years. |
0:55.0 | The Great Buster was screened as part of the DGA's documentary series, |
0:59.0 | which aims to spotlight groundbreaking non-fiction films for DGA members and guests |
1:04.0 | by presenting screenings of documentaries as well as conversations with their directors. |
1:09.0 | In addition to The Great Buster, Mr. Bogdanovich's filmography includes the feature |
1:13.8 | films What's Up Doc, Paper Moon, and She's Funny That Way, the movies for television |
1:19.0 | Prouler, The Price of Heaven, and The Mystery of Natalie Wood, and Episodes of the series Fallen |
1:24.6 | Angels and The Sopranos. |
1:26.9 | He was nominated for the DGA Award for Outstanding Directorial Achievement in Motion Pictures |
1:31.3 | and the Academy Award for Best Director for his 1971 feature, The Last Picture Show. |
1:37.3 | Following the DGA screening of the film at the Harmony Gold Theatre in Los Angeles, |
1:42.3 | Mr. Bogdanovich spoke with director Chuck |
1:44.7 | Workman about filming The Great Buster. During their conversation, Mr. Bogdanovich discusses why |
1:50.4 | silent films are so good at comedy, his desire to not leave the audience crying, and what |
1:55.4 | makes Buster Keaton such a unique director. Hi Chuck. |
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