Hello, this is Simon Brew. I'm the editor of Film Stories magazine and a very warm welcome to the latest episode

of the Film Stories podcast. Come with me. And I show you how deep the rabbit hole goes.

In movies, movies that had stories. That the story just sucks them man. This is just the beginning.

We would be honored if you would join us.

Hello and a very warm welcome to Film Stories with Simon Brew.

I am Simon Brew.

As always, that's absolutely everything you need to know about me.

The aim of the

podcast, though, is, well, it's given away the title. I'm here to talk of the stories of film. I talk

about development stories, marketing stories, production stories, release stories, all those bits and

bobs that go to make the films that we know and sometimes love. Just that, the films that we know

and sometimes love. The films I i tend to choose this podcast tend to

lean more towards the mainstream than anything else they're films i'm certainly interested in or invested in

to some degree i try not to do snark i try not to punch down this podcast is a celebration of cinema

the fact that films get made they're really hard to make and i'm really glad they exist

the first of the two films I'm

going to talk about in this particular episode though, it doesn't actually need an awful lot of

introduction, not least because I've played some of the glorious score from it already. That not

with Stanley, I'm going to play you a small trailer for the film in question and then I'll come

to the story the other side of this.

Hey Mike found the map.

One-eyed Willie.

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