4.6 • 675 Ratings
🗓️ 16 August 2018
⏱️ 50 minutes
🧾️ Download transcript
Some of the greatest film music of the 20th century came from readymade stock albums recorded by virtually anonymous musicians. Author David Hollander and composer Keith Mansfield tell the story of vintage library music. How Lucille Fletcher’s thrilling 1943 drama “Sorry, Wrong Number” shocked American radio listeners. And writer Matt Novak uncovers the surprising movies watched by American presidents inside the White House.
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0:00.0 | from PRX |
0:03.4 | This is Studio 360. |
0:09.8 | I'm Curtis and I'm sitting on the steps of the Lincoln Memorial. |
0:12.8 | This first level of garden. |
0:14.2 | This is Thomas Jefferson's vegetable garden. |
0:16.0 | I like to have the roasted chicken base. |
0:17.7 | Very well done. |
0:18.9 | Editing is all about timing. |
0:20.6 | I try to get a little bit away from the actual subject. |
0:23.2 | You must get sick of your own voice, right? |
0:25.5 | Studio 360. |
0:27.6 | With Kurt Anderson. |
0:30.1 | Bush. As crisp and cold as a mountain stream. |
0:34.2 | It has the same great taste it's always had. |
0:37.9 | The music you're hearing in this Bush ad was not composed with beer in mind. |
0:44.5 | It was a pre-recorded track sitting on the digital server of a production music company, |
0:51.3 | where the ad agency found the music and paid a fee and downloaded it and then |
0:57.0 | edited it into their commercial. By the way, we listen to that kind of ready-made stock |
1:02.4 | music all the time, and not just in commercials, in movies, on TV, in video games, on radio |
1:10.2 | shows, podcasts, you name it. And we don't realize it. |
1:14.1 | I didn't, certainly, but now I know because there are some obsessives, of course, who love |
1:20.4 | this kind of background music, anonymous and generic, especially the stock music of the past. |
... |
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