4.6 β’ 2.7K Ratings
ποΈ 14 June 2023
β±οΈ 73 minutes
ποΈ Recording | iTunes | RSS
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0:00.0 | I believe in miracles since you came along. Good God. You sexy things. James Dyer and |
0:23.6 | K. Rebaro. Hi. What a way of introducing this podcast. Hello, Pod. I'm Chris Huett and |
0:28.2 | welcome to the latest Empire and Pilot TV podcast crossover event in association with our |
0:35.2 | chums at a Disney plus. And this one is in honor of the return of the full Monty or as someone |
0:43.1 | who lived in York at the time when the movie came out, always heard it full Monty. That's why |
0:48.0 | that's why I heard it for years and years, years full Monty. Anyway, the full Monty, the phenomenon |
0:54.4 | of 1997 that was for a long, long time. The biggest British film of all time at the box office |
1:01.4 | is back, back, back in limited edition form on Disney plus all the original cast are back Robert |
1:06.9 | Carlisle, Tom Wilkinson, Margati, Leslie Sharp, Steve Husson, Paul Barber, Hugo Spear, |
1:15.0 | the guy is all here, but this time they're keeping their clothes on. And before we get in to discuss |
1:21.5 | the show and the 1997 film and all kinds of shenanigans, let's hear from some members of its cast, |
1:29.2 | shall we because I had the the great pleasure of speaking to Margati, Leslie Sharp and Steve Husson |
1:35.4 | together. So Dave, Gene and Lomper. And that was yesterday in London. And in this morning, |
1:42.0 | I leapt on the Zoom very, very early indeed and spoke to Robert Carlisle, AKA Gaz and what a |
1:48.7 | pleasure both of those were. First of all, you're going to hear from Margati, Leslie Sharp and |
1:53.2 | Steve Husson, enjoy. Mark Leslie, Steve, welcome to the Empire podcast. Slash pilot podcasts |
1:59.6 | across the whole thing. I'm not going to get into it. It's very complicated. Anyway, welcome back |
2:03.7 | to the full Monty. Thank you very much. Is this a surprise to you? What did you first hear about it? |
2:10.4 | It was a while ago Simon sent an email saying myself and Alberto Pasolini, who was |
2:18.8 | executive producer on the movie, Simon wrote it, obviously. We're looking at doing a state of the |
2:26.4 | nation piece and it seemed to us a sensible way of doing it is to do the eyes of characters that |
2:34.1 | we met quarter of a century ago. Are you interested? Yes. Because it was, you know, you know that |
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