This episode is a bit different from our usual fare in that it’s devoted to the subject of art in Church History. It’s in no way intended to be a comprehensive review of religious art. We’ll take just a cursory look at the development of art in the early centuries.Much has been written about the philosophy of art. And as anyone who’s taken an art history course in college knows, much debate has ensued over what defines art. It’s not our aim here to enter that fray, but instead of step back and simply chart the development of artistic expression in the First Centuries.It’s to be expected the followers of Jesus would get around to using art as an expression of their faith quickly in Church History. Man is, after all, an emotional being and art is often the product of that emotion. People who would convert from headlong hedonism to an austere asceticism didn’t usually do so simply based on cold intellectualism. Strong emotions were involved. Those emotions often found their output in artistic expression.Thus, we have Christian art. Emotions & the imagination are as much in need of redemption and capable of sanctification, as the reason and will. We’d better hope so, at least, or we’re all doomed to a grotesquely lopsided spiritual life. How sad it would be if the call to love God with all our heart, soul & mind didn’t extend to our creative faculty and art.Indeed, the Christian believes the work of the Holy Spirit after her/his conversion, is to conform the believer into the very image of Christ. And since God is The Creator, it’s reasonable to assume the Spirit would bend humanity’s penchant for artifice to serve the glory of God and the enjoyment of man.Scripture even says we are to worship God “in the beauty of holiness.” A review of the instructions for the making of the tabernacle make it clear God’s intention was that it be a thing of astounding beauty. And looked at from what we’d call a classical perspective, nearly all art aims to simply duplicate the beauty God as First Artist made when He spoke and the universe leapt into existence.Historians tend to divide Early Church History into two large blocks using The First Council of Nicaea in 325 as the dividing line. The Ante-Nicaean Era runs from the time of the Apostles, the Apostolic Age, to Nicaea. Then the Post-Nicaean Era runs from the Council to The Medieval Era. This was the time of the first what are called 7 Ecumenical Councils; the last of which, is conveniently called the 2nd Nicaean Council, held in 787. So the Ante-Nicaean Era lasted only a couple hundred yrs while the Post-Nicaean Age was 500.It would be nice if Art Historians would sync up their timelines to this plan, but they divide the history of Church Art differently. They refer to Pre-Constantinian Art, while From the 4th thru 7th Cs is called Early Christian Art.The beginnings of identifiable Christian art are located in the last decades of the 2nd C. Now, it’s not difficult to imagine there’d been some artistic expression connected to believers before this; it’s just that we have no enduring record of it. Why is easy to surmise. Christians were a persecuted group and apart from some notable exceptions, were for the most part comprised of the lower classes. Christians simply didn’t want to draw attention to themselves on one hand, and on the other, there wasn’t a source of patronage base for art in service of the Gospel.Another reason there wasn’t much art imagery generated before the 2nd C is because early generations of believers were mostly Jewish with a long-standing prohibition of making graven images, lest they violate the Commandments against idolatry. By the mid 2nd C, the Church had shifted to a primarily Gentile body. Gentiles had little cultural opposition to the use of images. Indeed, their prior paganism encouraged it. They quickly learned they were not to make idols, but had no reluctance to use images a symbols and representations to communica