The Fear of Knowledge
The Reith Lectures
BBC
4.2 • 770 Ratings
🗓️ 4 December 1960
⏱️ 29 minutes
🧾️ Download transcript
Summary
This year's lecturer is the first and current Professor of Art History at Oxford University, Edgar Wind. The German-born British professor specialises in iconology in the Renaissance era. In his Reith Series entitled 'Art and Anarchy', Edgar Wind explores the concepts of creative energies produced through turmoil.
In this lecture entitled 'The Fear of Knowledge', Edgar Wind challenges the idea that intellect hurts the artistic imagination. This prejudice, which artists themselves have rarely shared, does not allow for the aesthetic perception of art to be heightened. He argues that art and intellect should not be separated into one or the other, because together they have created some of the greatest works of art.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | This is a podcast from the archives of the BBC Reith Lectures. |
| 0:04.8 | This lecture in the series Art and Anarchy, given by Edgar Vint, was originally broadcast in 1960. |
| 0:12.7 | Art and Anarchy. |
| 0:15.1 | The BBC presents another wreath lecturer by Edgar Vint, professor of the History of Art in the University of Oxford |
| 0:22.6 | and Fellow of Trinity College. |
| 0:25.6 | Professor Vint discusses the fear of knowledge. |
| 0:29.6 | When I spoke about Plato's fear of art |
| 0:34.6 | and suggested that he had cause to fear it. It may have sounded as if I were trying |
| 0:40.0 | to revive a ghost, for it is certain that the sacred fear of art has left us. We have, however, |
| 0:47.7 | another fear, which I believe was unknown to Plato, the fear that knowledge might hurt the imagination, that the exercise |
| 0:57.2 | of artistic faculties both in the artist and in the spectator might be weakened by the use |
| 1:03.6 | of reason. This is a modern fear, and I am not mistaken, unfamiliar before the romantic period. |
| 1:11.8 | But for more than a century and a half, |
| 1:14.4 | this fear has dominated our view of art with such force |
| 1:17.9 | that we have come to look upon it as a basic truth, |
| 1:21.6 | supported by a strong philosophical and literary tradition. |
| 1:26.8 | In retrospect, it has seemed to some classical scholars who were still under the spell of |
| 1:32.3 | the romantic view that Greek tragedy died of Greek philosophy, that the primitive inspiration |
| 1:39.3 | which the tragic poet drew from myth and ritual could not survive the destructive talk of Socrates. |
| 1:47.8 | In the Fido, Plato seems to suggest |
| 1:50.4 | that Socrates felt a scruple on that account |
| 1:53.8 | and sang a poetic swan song before he died, |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from BBC, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of BBC and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

