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The Business of Fashion Podcast

The Fate of the Physical Runway Show

The Business of Fashion Podcast

The Business of Fashion

Fashion & Beauty, Business, Arts

4.6770 Ratings

🗓️ 10 September 2020

⏱️ 47 minutes

🧾️ Download transcript

Summary

BoF Editor-at-Large Tim Blanks, The Washington Post’s fashion critic Robin Givhan and GQ’s Rachel Tashjian explore the past, present and the future of the event that makes the industry go round — the fashion show.

 

LONDON, United Kingdom — Do fashion shows still matter? In the latest episode of The BoF Podcast, BoF Editor-at-Large Tim Blanks, The Washington Post’s fashion critic Robin Givhan and GQ Magazine writer Rachel Tashjian join BoF Executive Editor Lauren Sherman in a virtual panel discussion on how the pandemic tested designers’ ability to captivate buyers, media and consumers through creativity and the use of digital tool. What happens next?

  • For Blanks, in order to look forward, you must look back. Fashion shows have always “[meant] almost everything in fashion to an enormous degree… They challenge, they provoke, they’re disturbing, they’re overwhelming,” he said. However, over the years, people have looked at the shows of the past as “a world that’s gone in a way… it has that kind of poignant tug.”
  • As industry commentators, Blanks, Givhan and Tashjian have taken note of how designers pivoted their strategies following the outbreak of the coronavirus pandemic and what set them apart. For Givhan, JW Anderson’s “show in a box” tapped into “the desire for something tactile, the desire for something that felt personal… that you could hold, that wasn’t a digital... distant thing.” Although livestreams have a way of broadening a brand’s reach, as a critic, Givhan finds being “forced to look in one particular direction” hinders the experience. “Sometimes I find the most interesting element to be something that’s over in a corner, but that’s not the main thing that’s walking down the runway towards me,” she said.
  • In the future, Givhan hopes designers will use technology to “tell a story about their clothing, to weave a narrative in some way… to evoke emotion,” instead of carbon-copying a traditional runway in a digital way. “It [just] feels… like something that… doesn’t really quite fit,” she said. For Blanks, what has come out of this period of uncertainty — and the modes of communication adopted — shouldn’t be forgotten. “I hope that there will be this immediate contact, this sort of intimacy,” he said. “I find that more interesting than maybe the way that we used to deal with things. I don’t want a press release, I want to talk to people.”

Related Articles: A Year Without Fashion Shows Will Covid-19 Change Fashion Shows Forever? Who Are Fashion Shows For? 

Watch and listen to more #BoFLIVE conversations here. To contact The Business of Fashion with comments, questions, or speaker ideas please e-mail [email protected].


 

 



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Transcript

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0:00.0

I feel like the fashion shows, particularly, and you mentioned McQueen, the ones that you remember,

0:09.0

are the ones that really touched an emotional core.

0:14.0

And the McQueen shows were deeply emotional.

0:19.0

One thing that struck me when I started writing about fashion is how it was low men on the totem pole.

0:24.6

And I was always laughing when some beer moth who wrote about football or something would give me a hard time

0:29.6

because I was writing about fashion like I was a lesser species.

0:33.6

Everyone feels like they have to be really careful right now in the way that they articulate themselves and expressing themselves and experimenting.

0:40.8

And fashion is really a place where particularly men can be playful and they can make mistakes and they can experiment.

0:52.0

Hi, this is Imran Ahmed founder and CEO of the Business of Fashion and welcome to the BOP podcast.

0:58.4

We are about to enter a fashion week season unlike any other. So what better time to sit down with some of the

1:05.5

industry's most noted critics and journalists to explore the past, present, and future of this event that has

1:13.4

traditionally made the industry go around the fashion show. So we welcome our own editor at

1:19.1

large, Tim Blanks, the Washington Post fashion critic, Robin Givon, an American GQ's Rachel

1:26.4

Tastien, and our own executive editor, Lauren Sherman,

1:30.2

a noted fashion journalist in her own right to go inside fashion.

1:42.3

Thank you all for being here. I'm super grateful. I know you're all busy and probably planning your coverage for September. I think the first question is, what are you all planning? You all attend the shows. You write about the shows. You, you know, are masters of of fashion what are you going to do

2:04.4

this fall robin are you going to go to the shows in europe or are you going to are you going to even go to

2:09.2

the shows in new york um well i've been saying that everything's a little bit fluid um the plan right now

2:16.6

is um that yeah i'll'll go up to New York.

2:21.8

And, you know, I don't really know how much there will be to physically see. That's still

2:31.9

sort of to be determined. But I think that it's important to go to New York, if possible,

2:40.0

and to give people a sense of not only what is happening with Fashion Week,

...

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