The Emotional and Financial Business of Taylor Swift’s ‘All Too Well’

Popcast

The New York Times

Music Interviews, Music Commentary, Music

3.6 • 1.5K Ratings

🗓️ 17 November 2021

⏱️ 37 minutes

🔗️ Recording | iTunes | RSS

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Summary

What does the rerecorded song from “Red” say about how power and the past have shaped her career? Guests: Joe Coscarelli, Caryn Ganz and Lindsay Zoladz.

Transcript

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0:00.0	If this video's on your for you page, you are not allowed to listen to all two well-tenant
0:05.1	version anymore tonight.
0:06.6	Nope, zero, no more for you.
0:08.9	Turn it off.
0:09.9	You may play at different hours, but tonight, enough.
0:30.0	If you thought we weren't doing an emergency off-cycle podcast, well, yeah, I've been listening
0:44.8	very long.
0:45.8	Taylor Swift's red Taylor's version from the Taylor Vault.
0:51.4	It's out.
0:52.4	And you know what?
0:53.4	I want to be honest, if you've listened to popgas, you know, I'm a little bit skeptical
0:56.8	about the Craven business purposes behind the Taylor Swift re-recording enterprise.
1:04.4	That said, all too well, the ten minute version, as I was watching SNL this past weekend.
1:10.8	It was a transfixing performance, and it really got me thinking, and it just made it very
1:16.2	clear that who were we, as long time popcasters, to not address this titanic cultural event?
1:24.9	You know the gang is here, Karen Gans.
1:27.7	What's up?
1:28.7	Joe Coscarelli.
1:29.7	I'm actually surprised we're here.
1:31.3	I just want to put that on the record.
1:33.1	I wasn't sure.
1:34.1	I wasn't going to push you on it.
	...

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