And now the world's most exciting podcast, The Savage Nation, home of borders, language, culture.

Here he is, Michael Savage.

Welcome to the Savage Nation. The Dinosaur Man is with us. I call him that even though he's a lot more

than the dinosaur man, but I want to attract your attention. Steve Williams is a friend of mine.

You may know him from his animations, including the T-1000 and Terminator 2 and the T-Rex in Jurassic Park.

But he's a friend of mine, and he's a pioneer in computer animation.

That's the important thing.

He developed a photorealistic alien made out of seawater,

which later earned the Film and Academy Award for Best Visual Effects for 1989's The Abyss.

Continuing at Industrial Light and Magic, that was Lucas's company,

Steve worked in two more breakthrough moments of computer graphics effects that you consider normal today.

Everyone is doing it, but it was pioneering at the time,

right, Steve? And that earned the company more Oscars, the T-1000 from Terminator 2,

Judgment Day, 1991, a liquid metal robot that evolved from the work done in the abyss

and the dinosaurs of Jurassic Park in 1993, one of which was the

Tyrannosaurus, which Williams personally built. Here's the important thing. Steve was a pioneer

in computer graphics, and as the chief computer graphics animator of The Mask, William shared a nomination for best visual effects at the 67th Academy Awards.

Recently, there was a 22 documentary, you have to look at this called Jurassic Punk, that is the life story of Steve and not just about the dramatic tale of the movie

business, but his lifelong rebellion against the world, which is how Steve and I met many

years ago.

He moved away to the Ozarks from the San Francisco area.

He can no longer take the Snide people.

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