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B&H Photography Podcast

The Digital Photo Collage

B&H Photography Podcast

Jill Waterman

Arts, Visual Arts

4.82.1K Ratings

🗓️ 10 January 2019

⏱️ 61 minutes

🧾️ Download transcript

Summary

On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the lines between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions.

Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, "The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in a space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her adjustments in post-process, and her large-scale installations, often made on Photo Tex media. We also touch on previous explorations of the city as diverse as Edward Ruscha, Danny Lyon and and Jane Jacobs.

Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years with how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of his control—after all, he wrote the program. He selects the scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography.

Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate the Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow.

Guests: Jennifer Williams and Tommy Mintz

Image © Tommy Mintz

Transcript

Click on a timestamp to play from that location

0:00.0

You're listening to the B&H Photography Podcast.

0:04.3

For over 40 years, B&H has been the professional source for photography, video, audio, and

0:09.2

more.

0:10.2

For your favorite gear, news, and reviews, visit us at bnh.com or download the B&H app to

0:15.7

your iPhone or Android device.

0:17.9

Now here's your host, Alan White.

0:21.7

Greetings and welcome to the B&H Photography Podcast.

0:24.5

Today's topic, photo collage, and we're not talking about scrapbooking here.

0:29.1

Joining us in the studio today are two visual artists who fuse photography and collage

0:32.7

in non-conventional and often super-sized manners.

0:36.3

Jennifer Williams is a New York-based visual artist who originally hails from the fertile

0:40.7

farmlands of Western Pennsylvania.

0:43.0

Her photo-based collage is often depict urban architecture and cityscapes, but it's

0:47.5

the arrangement and placement of these sometimes large-scale and site-specific works that

0:52.8

distinguishes them.

0:54.2

Whether they be urban neighborhoods, cardboard boxes, or step ladders, it's the collage

0:58.8

work and blending of planes and points of view that are so engaging with her work.

1:03.7

Jennifer has exhibited her work at the Akron Art Museum, Pittsburgh Center for the Arts,

1:08.3

Queens Museum, and many other public art projects.

1:11.4

She's also represented by the Robert Mann Gallery right here in New York City.

1:15.9

Photographer and artist Tommy Mints hails from the fertile avenues of Greenwich Village, New

1:20.2

York City.

...

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