4.6 • 806 Ratings
🗓️ 1 June 2022
⏱️ 32 minutes
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0:00.0 | that moment where you get to, you get to see these people breathe and you get to see that, |
0:09.0 | uh, that there's a just a connection that carries everything and makes those hard decisions |
0:17.6 | harder. But it's important to do that. |
0:33.5 | Yeah. hard decisions harder. But it's important to do that. Hello and welcome back to the Director's Cut, brought to you by the Directors Guild of America. |
0:39.5 | In today's episode, the questions of Am I My Brother's Keeper and, at what cost, are explored in director Charles Murray's thriller, The Devil You Know. |
0:49.7 | The film tells the story of Marcus, who, after a lifetime of trouble, is trying to turn his |
0:55.6 | life around with the support of his loving family. When he discovers that one of his brothers |
1:00.8 | may have been involved in a horrific crime, Marcus grapples with the limits of brotherhood and loyalty, |
1:06.5 | as he finds himself in the crosshairs of a seasoned but jaded detective. |
1:16.7 | In addition to The Devil You Know, Mr. Murray's directorial credits include the feature films A Cold Hard Truth, The Summoning, and Things Never Said, and an episode of Sons of Anarchy. |
1:24.8 | Following a recent screening of the film at the DGA Theater in Los Angeles, Mr. Murray shares insight into the making of The Devil You Know with fellow director Matthew Cherry. |
1:35.9 | Listen on for their spoiler-filled conversation. |
1:56.5 | What's going on, guys? How y'all doing? Great movie, right? So me and Charles, we go way back. So this is probably going to be more like a conversation as opposed to Q&A. |
2:01.1 | I don't know if it's us sitting in front of arc light or at the grill. There you go. |
2:03.1 | Well, one of the things that we had a quick get up a few minutes before this, |
2:08.4 | and, you know, one of the things I love about your work is just you're one of the few directors today |
2:15.4 | that I truly feel like are really making it a point to |
2:19.0 | show these complex depictions of black men, obviously, but not only just in the drama space, |
2:27.5 | you know, the love story, you know, the family dynamics. It's just you're really catching it |
2:32.1 | in all different ways. And I wanted to ask you just |
2:34.5 | what makes you outside of the obvious, what makes that an important aspect of your work? |
2:42.0 | Because it's what I grew up in. Wait, before we get to that, though, I just need to say this. |
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