4.8 • 1.5K Ratings
🗓️ 23 November 2018
⏱️ 111 minutes
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| 0:00.0 | Christopher Walken pops up in this podcast a lot, mostly because any time Adam attempts |
| 0:09.4 | a foreign accent or an impersonation of any actor, it sounds like a Christopher Walken impression. |
| 0:14.5 | But now, on the heels of Walken's head-scratching tone-shattering appearance in Biloxi Blues, |
| 0:19.9 | he appears again in the head-scratching skull-shattering deer hunter, an embarrassment of riches to be sure. |
| 0:27.0 | You've heard of this film even if you haven't seen it because it's right at the top of the list of movies people have heard of but haven't seen. |
| 0:35.2 | This is the movie for people who thought the wedding scene in the Godfather could have gone |
| 0:38.9 | on for another hour, if only it hadn't wasted all that time introducing us to the Godfather. |
| 0:45.3 | A side effect of watching this movie is that you are now actually married to Merrill Streep |
| 0:50.1 | in the eyes of the Russian Orthodox Church. |
| 0:52.3 | Also, you are now a disabled Vietnam vet |
| 0:55.0 | But critics loved this movie and that had some hilarious |
| 0:59.0 | Hollywood consequences |
| 1:00.0 | Michael Chamino the director came off of making this 1978 behemoth with such a sterling |
| 1:06.1 | reputation as a filmmaking genius that United Artists wrote him a blank check to make his |
| 1:11.2 | Western Heavens Gate. A legendary suck fest you've also probably heard |
| 1:15.4 | of but not seen, which lost almost $40 million at the box office, destroyed Chamino's career, |
| 1:20.8 | and napalmed the entire auteur-driven filmmaking cult of the 70s, leading |
| 1:25.8 | to an abrupt crash of the directors wearing jackets with epaulets industry and a sudden |
| 1:30.4 | influx of 80s studio-driven films with talking cars and combat |
| 1:34.9 | tarzants wearing g-strings his shirts that Adam and Ben wrongly insist are the |
| 1:39.6 | high-water mark of American filmmaking. This is where the path to that flaming waterfall began. |
| 1:45.0 | And if you want to see what it looks like when a director has almost totally unlimited control of a film, |
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