4.5 • 2.6K Ratings
🗓️ 19 April 2020
⏱️ 30 minutes
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0:00.0 | The Master was a film in production through the latter half of 2016. |
0:09.1 | Unlike the critically acclaimed Paul Thomas Anderson film of the same name, this was a |
0:13.5 | Chinese film, set to star Donnie Yen, the famed actor and martial arts expert from Hong |
0:19.7 | Kong. |
0:20.7 | Yen was also in line to produce the film through his superhero films, a production company |
0:25.3 | he had established alongside his wife a few years prior. |
0:29.2 | According to Alex Ritman of the Hollywood Reporter, who first broke the story, the Master had |
0:34.0 | a budget somewhere between $60 and $70 million, and was going to start filming throughout |
0:39.8 | Asia in November of 2016, before wrapping up in December of that year, when star Donnie |
0:45.8 | Yen would have to begin a promotion circuit for the Star Wars film he was starring in. |
0:50.9 | In the summer leading up to this shoot, multiple makeup artists from Europe, primarily the |
0:55.9 | UK. |
0:57.2 | He wanted to receive inquiries from a woman working on the film. |
1:00.5 | A woman named Lee Duan Zhao, who referred to herself as Leslie. |
1:05.1 | She represented herself as a production manager for the film and was looking for skilled experts |
1:10.1 | to work on the Master in her inquiries, which began as emails but soon stretched out into |
1:15.3 | lengthy phone calls. |
1:16.9 | Leslie would claim that she was looking to avoid larger names and was instead looking for |
1:21.8 | what the Hollywood Reporter described as, emerging talent. |
1:26.0 | These were young artists looking for a big break, who Leslie claimed had come highly |
1:30.2 | recommended by people they had worked with in the past. |
1:33.6 | Dozens of makeup artists were directly contacted by this woman and people representing her, |
... |
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