It's February 28th, 2010, and this is the Candid Fright. Before we begin our interview, I wanted to welcome the many new listeners who have recently discovered the show. It's exciting to have you as part of our growing community.

I have received several emails from those of you who want to be able to access shows

that are not listed in the iTunes Music Store, and I wanted to let you know that all of our

shows are available for download through our archive, which you can find on the blog at the candorframe.com.

It's located on the right-hand side by scrolling down a bit.

Every episode, warts and all, can be found there.

I also want to encourage greater involvement with the Candid Frame Flickrr group.

And beginning this week, I will be including a weekly post showcasing an image

from the Flickr feed on the Candleframe blog. I think it will be a great opportunity to see some

exceptional work and create greater awareness of the many photographers from all over the world that

listen and support this show. So keep an eye out for that. With some recent changes I've made on producing this show, as well as the Photocast Network

Focus Ring, some of my costs for producing these shows has gone up.

As well as upgrading space for bandwidth and storage, to support both shows, I've also invested

in software and hardware to help improve the audio quality

of the programs. I don't currently solicit advertising for these shows, and so for the time

being, these costs come out of pocket. So I've created a donation button on the Canter Frame blog

in the hopes that some of you will show some of your support for the show by donating funds

to offset these costs. So whether it's

$5, $10, or $20 or even more, your contribution will help me to ensure that the programs I provide

can continue to improve and grow. So please take the time today to make a contribution. It's greatly

appreciated. Today's guest is Jeff Dunis, a commercial, editorial, and fine art photographer, who has

amassed an amazing collection of exceptional work, as well as contributing to the photographic

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