It's April 8th, 2007, and this of The Candid Frame.

It's great to have you back.

Today's guest is Jim Harrington.

And Jim's work is work that I've been familiar with over the years.

I've seen his portraits published in

various magazines and I've always had a long admiration for the quality of the work, though I never

associated a particular name with the work. And it just so happens that Jim is a fan of the show

and sent me an email commenting and complimenting me on the show,

and I finally had the opportunity to tie the images I admired with a photographer who created them.

And in talking with him, I realized that he was definitely a guest that I wanted to add

to the long list of photographers that I've interviewed over the last year.

And what I like about Jim's work is not just that they're great portraits or even exceptionally

black and white renderings of some of the best musicians in the country.

But I really love his sense of story and his sense of place.

Two terms that are often not used in describing portraiture,

but you will definitely get a sense of that and looking to his images.

And I also think Jim's story is a particularly interesting one.

So that's all I have to say right now.

So why don't you sit back and enjoy our conversation with Jim Harrington.

Jim, thank you for joining us on The Candid Frame.

I'm really pleased to have you on the show.

Welcome.

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