The Candid Frame #151 - Jasmine DeFoore
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 12 August 2012
⏱️ 45 minutes
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Summary
Transcript
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| 0:00.0 | This is aboutianx, and this is the Candid Frame. |
| 0:19.4 | Thanks for everyone who's recently visited the website |
| 0:22.1 | and are liking the new content we're providing there. |
| 0:25.5 | It's an exciting part of our long-term plans for the show, |
| 0:28.4 | and I hope that it becomes a valuable resource to you and your photography. |
| 0:33.0 | I've begun posting videos on the YouTube channel, |
| 0:35.9 | and I'll provide a link on the post and also on the website. |
| 0:39.2 | So check it out and let me know what you think. |
| 0:42.7 | If you want to make a living as a photographer today, whether it's as a full-time or a part-time professional, |
| 0:49.1 | marketing becomes as important as the camera you own and the quality of the images you produce with it. |
| 0:56.1 | Today's guest, Jasmine Dufour, knows a lot about that with her experience, both as an editor |
| 1:01.4 | and a consultant to photographers, who are trying to redefine themselves and their business. |
| 1:07.9 | From the design of the website to the business card to the portfolio, |
| 1:11.6 | Jasmine provides invaluable insight into what it takes to stand out from the crowd in this very competitive field. |
| 1:22.6 | Well, Jasmine, welcome to The Candid Frame. |
| 1:29.3 | It's a pleasure to have a chance to sit down and talk with you. |
| 1:32.1 | Thanks for having me. |
| 1:33.4 | Why don't you tell our listeners what it is that you do? |
| 1:36.4 | I know that you serve as a consultant to photographers, but some of our listeners may not |
| 1:40.7 | completely understand what that involves. |
| 1:42.6 | If you could explain that to us, I think that would be a really good place to start. Sure. It means different things for different |
| 1:49.7 | people, but mainly what I do is that I help photographers improve their businesses through marketing |
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