The Camera Never Lies
Seriously...
BBC
4.1 • 885 Ratings
🗓️ 27 May 2016
⏱️ 57 minutes
🧾️ Download transcript
Summary
Does documentary ever really tell the truth?
BAFTA award winning filmmaker Molly Dineen examines the concept of truth and the creation of narrative in documentary film making. Robert Flaherty's 'Nanook of the North' is considered the first documentary ever made, and much of it was specially set up for the cameras. We think that modern 'Scripted Reality' is a new phenomenon, but does it have its roots in the earliest days of documentary? We look at the making of a documentary, from idea, to casting, filming and editing to find out how documentary makers craft their story.
Molly Dineen looks at nearly 100 years of documentary making from the archives, as well as looking back on her own career. Her first film 'Home from the Hill' followed retired Solider Hilary Hook returning to England after a career in Kenya, and she has also filmed the London Zoo in crisis, in her BAFTA award winning series 'The Ark', modern celebrity in her portrait of ex-Spice Girl Geri Halliwell, and a Prime Minister in waiting in the 1997 Party Political Broadcast for the Labour Party. Molly's observational style sees her immersing herself in the worlds she shoots, but we also take a look at modern 'Fly on the Wall' programming, speaking to TV producer Jonathan Stadlen about his series 'GP's: Behind Closed Doors'. There's more factual programming around now than ever; but is this a good thing? Are the schedules clogged with cheap programming that sacrifices the truth for style, using fast cutting, music and voice over rather than allowing people to speak for themselves?
We also hear from Kim Loginotto, whose films examine the lives of women worldwide, Radio Producer Simon Elmes and TV Critic AA Gill.
Presenter: Molly Dineen Producer: Jessica Treen.
Transcript
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| 0:00.0 | Hello and welcome to the seriously podcast I am FEMI M This is the Twice Weekly Podcast where we explore the curious, creative and imaginative side of BBC Radio 4. |
| 0:17.0 | If you want to check out other programs in our archive, then head over to BBC.co.uk. UK slash seriously to discover more. |
| 0:25.0 | Hate work. |
| 0:27.0 | Why? |
| 0:28.0 | The good Lord's never put me on this earth to her money |
| 0:31.0 | to her money if I had a value paper. |
| 0:32.8 | There must be something better than that. |
| 0:35.3 | Do you think so? |
| 0:36.3 | Do you think you put you on this earth |
| 0:37.5 | to walk around next stupid little camera |
| 0:40.6 | buying it a faithful, hey? What would you like to have done instead? |
| 0:45.0 | Well, basically you've got to have money to do anything. |
| 0:50.0 | No, I've never found a lot of people talk about they find job satisfaction. |
| 0:55.0 | They fit into a niche, but I never have. |
| 0:57.0 | I spent days with Derek Perkins in that Porter cabin selling tickets at the Angel Islington Tube. |
| 1:03.5 | It was 1989 when I made that film Heart of the Angel. |
| 1:07.0 | It was a totally different media landscape then, |
| 1:10.2 | and there was nothing like the amount of real people on screen as there are now. |
| 1:14.8 | And it occurred to be so much has happened in documentary and in the portrayal of real people on screen |
| 1:21.2 | that when Jessica approached me to make this Radio 4 program with her I was |
| 1:25.1 | really interested in taking part. |
| 1:27.3 | I wanted to look at documentary from the initial idea to the finished product and ask if the |
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