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VINCE

The Breakfast Club is Too White?? Evita + Rachel Campos-Duffy (Ep.184)

VINCE

VINCE | Cumulus Podcast Network

News, Daily News, Politics, News Commentary

4.8817 Ratings

🗓️ 17 April 2025

⏱️ 72 minutes

🧾️ Download transcript

Summary

On this episode of Bongino Report: Early Edition, Evita is joined by Fox & Friends Weekend host Rachel Campos-Duffy to break down Molly Ringwald’s claim that The Breakfast Club is too white—plus details from Rachel’s exclusive sit-down with President Trump. Check out our amazing Sponsor Genucel - Go to Genucel.com/NEWS for a SPECIAL OFFER! Americans ages 18 to 21 overwhelmingly support GOP: Yale Youth Poll Democrats Drop Everything To Bring Back A Deported Illegal Alien Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Ever wondered what power is.

0:02.0

Power is transforming the sun into your own energy source.

0:06.0

Power is getting energy companies to pay you.

0:10.0

Power is enjoying your morning coffee, knowing you created the energy to make it.

0:15.0

Well, you and the colossal ball of fire in the sky.

0:19.0

Because with solar panels from Hive, the sun works for you.

0:23.0

Hive, know your power. May not cover all electricity usage, roof and weather dependent.

0:27.6

Paid for surplus requires eligible SEC tariff.

0:29.9

The Breakfast Club is one of those nostalgic films that parents loved growing up and kids still enjoy years later. It is timeless. It is iconic. Five kids stuck in

0:42.3

detention on a Saturday, the jock, the princess, the criminal, the basket case, the brain.

0:49.2

The movie expertly captures the texture of middle-class American adolescents in a way that feels both intimate and

0:57.6

honest. The entire film unfolds in a single suburban high school. You got the beige walls,

1:04.6

linoleum floors, fluorescent lighting. None of it is sort of cinematic by design. It feels very real. It feels very lived in. And that visual

1:14.3

flatness becomes the backdrop for the film's emotional depth. There's no dramatic score,

1:20.5

no sweeping shots, just silence, awkwardness, and conversation is high school. And it's that stark normalcy that makes the film

1:29.8

feel so rooted in its time and place. The dialogue itself is where the film's realism comes alive.

1:37.6

These aren't polished, witty teens, like in later high school films or TV shows, they're insecure, fumbling,

1:46.4

often kind of mean. Bender mocks Claire's wealth, Brian's virginity, with the kind of pointed

1:51.4

cruelty that only a bored teenager can weaponize. Andrew Vence about his father's obsession with

1:57.1

toughness. Claire tries to defend her popularity, and Allison dumps her purse just to be seen.

2:02.3

They each talk around their pain using sarcasm, bravado, or silence to avoid revealing too much too

2:09.2

soon. But by the time they're sitting in a circle on the floor trading stories of parental

...

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