meta_pixel
Tapesearch Logo
Log in
Best of the Spectator

The Book Club: The Women's Orchestra of Auschwitz

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 30 April 2025

⏱️ 37 minutes

🧾️ Download transcript

Summary

My guest on this week’s podcast is the historian Anne Sebba. In her new book The Women’s Orchestra of Auschwitz: A Story of Survival, Anne tells the story of how a ragtag group of women musicians formed in the shadow of Auschwitz’s crematoria. She tells me about the moral trade-offs, the friendships and enmities that formed, and what it meant to try to create music in a situation of unrelenting horror.

Transcript

Click on a timestamp to play from that location

0:00.0

On Thursday the 15th of May, the Spectator is hosting a live book club event.

0:05.5

Sam Leith, the host of this podcast, will be joined by former Telegraph Editor-in-Chief

0:09.8

and military historian Max Hastings.

0:12.3

It will be an opportunity to talk about Max's new book, Sword, D-Day, trial by battle,

0:17.6

as well as mark the 80th anniversary of VE Day.

0:22.2

The full details are as follows,

0:28.5

7.30 on Thursday, 15th of May, at the Shaw Theatre in Houston, London, and tickets start from £27.50, although I believe there are ticket options that include a signed copy of the book.

0:34.3

For those tickets, go to www. Spectator.com.com.com. We look forward to seeing you there.

0:45.1

Hello and welcome to The Spectator's Book Club podcast. I'm Sam Leith, the literary editor for

0:53.3

The Spectator. My guest

0:54.9

this week is the historian Anne Seber, whose new book, The Women's Orchestra of Auschwitz,

1:00.3

a story of survival tells a meticulously researched and at times deeply traumatizing story

1:07.6

of the women's orchestra that was formed in Auschwitz and played through most of that camp's history during the Second World War.

1:15.4

And I want to start by asking a kind of broad question about the book, which is there is a kind of easy version of this book, or a sentimental version of this book, in which the beauty of music transcends the horrors

1:29.5

of the camps. And what you produced is a bit more complicated than that, isn't it? Can you tell

1:35.3

me how you sort of framed this story? I don't know about how I framed it, but it's certainly

1:41.1

not about the beauty of music, very sadly. I did interview the last

1:47.6

survivor, Anita Lasca Valfish, and it was one of the first things that she said to me, don't think

1:53.6

about the music. The music was ghastly. It's not real music. She said, if I ever have to hear

1:59.0

Schubert's Marsh Militaire again, I don't know what I'd do.

2:03.2

So this was mostly military music and it was played at a fairly basic level. I mean, it is

2:11.5

extraordinary as we come to talk about how the orchestra was brought together with some children who made, and they were children,

...

Transcript will be available on the free plan in 27 days. Upgrade to see the full transcript now.

Disclaimer: The podcast and artwork embedded on this page are from The Spectator, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The Spectator and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.