meta_pixel
Tapesearch Logo
Log in
Best of the Spectator

The Book Club: James Comey

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 14 June 2023

⏱️ 32 minutes

🧾️ Download transcript

Summary

My guest on this week’s Book Club podcast is the former FBI director James Comey, who is making his debut as a thriller writer with an engrossing police procedural, Central Park West. Jim tells me how he mined his own early career as a prosecutor in the southern district of New York to produce this world of hard-bitten investigators and murderous mafiosi (and how he was able to bring it up to date because it’s a world his daughter now inhabits). And, as the investigator at the centre of the Scooter Libby and Hillary Clinton email cases – among many others involving classified intelligence – he gives me his take on what Donald Trump’s indictment means and where it’s likely to lead.

Transcript

Click on a timestamp to play from that location

0:00.0

The Spectator's prestigious, economic, Innovative of the Year award in partnership with InvestTech

0:05.5

and now in their sixth year. Wherever you're based in the UK, we can't wait to hear about the

0:10.6

success of your business and the impact you're making on the economy and society in 2023.

0:17.0

Applications are now open and will close June 16th. To learn more and apply, please visit spectator.com.uk forward slash innovator.

0:30.3

Hello and welcome to the Spectators Book Club podcast. I'm Sam Leith, the literary editor for The Spectator.

0:38.1

And this week, I'm very pleased to be joined by the former FBI director James Comey,

0:42.9

who makes his debut as a thriller writer with Central Park West. Central Park West is a story

0:48.6

of a US prosecutor called Nora Carlton, whose long-running mob case is curiously complicated when it

0:55.6

crashes into a case that's being prosecuted just down the hall of the murder of disgraced former

1:00.9

governor of New York. It's an engrossingly twisty thriller, and it's set in a world that the author

1:05.8

knows all too well. James, welcome. What made you start a right fiction? Surprising move. Great to be with you. Thanks for

1:13.6

the conversation. It started with pushing from the nonfiction editor who told me I could write

1:20.7

narrative and dialogue well. I really ought to consider fiction. And I resisted at first. But the farther

1:26.4

I got from the work of the FBI,

1:28.4

the easier it became to think about the work.

1:30.7

And so I finally gave in and decided to give it a try

1:33.5

and found it harder than nonfiction, but addictive.

1:37.3

And so now it's what I want to be when I grow up.

1:40.3

Well, you're already grown up, certainly, by the size of you,

1:43.2

I hope not grow anymore.

1:45.5

I mean, I'm always, anyone who writes a thriller, I'm always wanting to ask this.

1:49.0

This is very tightly plotted, it's very twisty, there's a lot of reverses and switchbacks in it.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from The Spectator, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The Spectator and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.