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Best of the Spectator

The Book Club: Armando Iannucci

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4 β€’ 785 Ratings

πŸ—“οΈ 10 November 2021

⏱️ 25 minutes

🧾️ Download transcript

Summary

Sam's guest on this week's Book Club podcast is Armando Iannucci – the satirist behind Alan Partridge, The Thick of It, Veep and The Death of Stalin. What many of his fans might not know is that he's also a devoted scholar of Milton – whose influence is to be found in his first published poem Pandemonium: Some Verses on the Current Predicament. Armando tells Sam what hurt him into verse, identifies the moment that led him to abandon an English Literature PhD for a career in comedy – and explains why there's as much sadness as savagery in his mock-epic description of the Covid epidemic.

Transcript

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0:00.0

The Spectator magazine combines incisive political analysis with books and arts reviews of unrivaled authority. Absolutely free. Go to spectator.com.uk forward slash voucher.

0:28.2

Hello and welcome to the Spectator's Book Club podcast. I'm Sam Leith, the literary editor of the

0:32.9

Spectator and I'm very pleased indeed this week to be welcoming Armando Inutio as my guest.

0:37.9

Armando we know you all as a screenwriter, a journalist, a producer of Hollywood films,

0:43.2

the creative out and partridge and all the rest.

0:44.7

But he appears before us today as a poet, the author of a new book called Pandemonium,

0:51.0

Some Verses on the Current Predicament.

0:53.8

Amando, welcome. Hello. Now, I'm sometimes

0:56.0

to do this when I'm interviewing people about poetry is, can I ask you to read a little bit

1:01.3

so people can get a flavour of it if you have a copy of the book to hand? Just a few lines,

1:05.7

because it's its own thing, you know. Yes. Okay. What shall I read?

1:11.3

Let me see.

1:12.7

Well, here's a section where Boris, well, I'll explain who Boris is because he's not quite who you might think.

1:20.8

But the earthly figure we call in this poem, Boris, has asked his accomplice Matt to try and help him out from the predicament by going

1:31.0

to get some friends involved. So this passage here describes how Matt goes down into a kind of strange

1:39.9

region where he speaks to his circle of friends. Okay, here we go.

1:45.0

How can I describe with in perfect tongue that sewer of rank and rabid fervour

1:50.0

the circle of friends who lay writhing flanks and limbs entangled

1:56.0

like a clump of worms gathered by a fisherman and placed in ready bucket for his line. So these friends

2:02.9

coagulated round themselves, each one bait for another, bait upon bait, knowing one another and

2:09.4

each one known till they knew themselves inside out, arses eaten by faces, feces dropped on eyes,

2:16.9

arms reaching into guts, lips retching hands out whole,

...

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