4.5 • 2.6K Ratings
🗓️ 29 January 2018
⏱️ 61 minutes
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0:00.0 | Hey everybody, before we start this week's episode, I've got a favorite to ask. |
0:03.3 | Do you love Bullseye? Like so much you want to tell everybody about it. Do you want to hear your |
0:07.7 | voice on the radio? Call us and leave us a voicemail at 323-484-4712 and tell us why you love the show. |
0:17.7 | That number again is 323-484-4712. We want to use clips of your testimonials about what you |
0:26.8 | love about Bullseye in our show promos to convince people to give it a try. 323-484-4712. Thanks. |
0:37.2 | Bullseye with Jesse Thorn is a production of MaximumHun.org and is distributed by NPR. |
0:49.3 | I'm Jesse Thorn. You know, it's a cliché, something every writer's starting up gets told dozens |
0:54.6 | and dozens of times, right? What you know, right? Good writers, we've made up stuff with autobiography |
1:00.5 | all the time. Kumail Nijani and Emily Gordon pretty much did exactly that. They wrote a movie together |
1:08.2 | about the early days of their relationship. They're married now. They called it the big sick. |
1:14.8 | And one thing that they learned, writing about your actual life, your actual friends and family, |
1:21.4 | it can be scary. It's scary on a couple levels one. You don't want to mess it up because it's your |
1:27.1 | story. You get one crack at it and you want to do a good job of it. And then it's also scary |
1:32.0 | because you do feel so naked and vulnerable to a lot of people. And we're in this weird position |
1:38.6 | now where we want more people to watch it. So we want to feel naked and vulnerable in front of |
1:44.2 | the biggest audience possible. It's Bullseye. |
1:52.0 | Coming up, we'll talk with Kumail and Emily about how they turn the real story of their |
1:59.2 | relationship into a feature length Academy Award-nominated movie. Sometimes Kumail says you just need to |
2:05.3 | get that personal stuff out there, even if it's a little gross. I just felt like for me it was like, |
2:10.1 | you know when there's a catch a bottle and there's the film's gun at the top, you got to like slam it |
2:14.4 | and get it out before you can do anything else. That's how I felt this story. That is not a good |
2:18.9 | description of this movie. We are not the gun. Get the top of the catch up. |
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