Back with more Baldy's deliberations day, infinity.

Infinity plus one to go.

We're talking high risk, high reward.

Jim, what's this category about?

Are we? I'm biggest

surprise was next but let's do this one big a surprise is well I mean I can

back this truck up yeah well we can back up later we'll probably get both of those in today.

Oh shit, you're right. All right, let's do high-risk high reward. What is this category?

This one is all about things they probably shouldn't have made that they did make that turned out okay. I think that's the idea

Or maybe go the or maybe went the other way. I think there's also like you know there's stuff in

I don't think you win yeah some people would think maybe oh that's high risk I

reward but we didn't think so yeah but it's in there so we can talk about it.

But yeah.

And there's also an element of like nobody was asking for this.

Like it's in fact it's such a good thing that was there already that like you're really risking

besmirching the whole project and the goodwill you had before so maybe we can

take turns pitching each other you go first first with Foundation. What's the risk reward structure here?

Oh boy. I mean, Foundation is a pretty beloved series of sci-fi books, so you got that bar to clear.

You've got a lot of people who have a lot of expectations for this thing.

And the risk here is it's a very hard story to tell visually and especially in this like serialized prestige TV format, right?

Usually those types of shows have stronger character hooks,

stronger emotional hooks, and the foundation story really has none of that. So how do you bring a story that doesn't have like compelling human drama to the screen and how do you do it in a show that spans that has to span like a

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