The Backstage Rider
Ongoing History of New Music
Curiouscast
4.8 • 604 Ratings
🗓️ 12 November 2025
⏱️ 29 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | Hey, it's Alan, and I just wanted to let you know that you can now listen to the ongoing |
| 0:04.3 | history of new music early and ad-free on Amazon music, included with Prime. |
| 0:09.6 | Going on tour is hard. You're away from home for months at a time. There's little sleep, |
| 0:16.2 | bad food, too many drugs, a surfeit of alcohol, late nights, temptations into bad behavior, crazy people, |
| 0:22.8 | bad decisions, and that bass player who refuses to wash his feet, probably because he's on his |
| 0:28.3 | phone moaning to his girlfriend about how miserable he is. All that occupies about 22 hours of the day. |
| 0:35.0 | The best times come when you're at the venue. There's the excitement of the lead-up, |
| 0:40.1 | the after-show satisfaction, and in between the gig itself. But every show is different. It's a different |
| 0:46.9 | city, a different place to sleep, vans, buses, and if you're lucky, airplanes. For that time on the road, |
| 0:53.6 | your sanctuary really becomes the |
| 0:55.8 | dressing room, the one place over which you have some measure of control, if you know what you're doing. |
| 1:02.9 | This brings me to the concert rider, the part of the contract with the promoter that specifies |
| 1:08.7 | what an act has to be provided with before, during, and after a show. |
| 1:13.1 | Once the band arrives, the road manager is the point person. |
| 1:16.5 | He or she has to make sure that the promoter adheres to all the terms outlined in the rider. |
| 1:22.0 | Most of the details are pretty mundane because they're basically logistical, |
| 1:25.9 | the times of the load in and load out, |
| 1:28.1 | electrical requirements and the number of local electricians required to make them happen, |
| 1:32.3 | how many forklifts and drivers are needed to move gear around, catering for the crew, |
| 1:36.9 | parking for the tour buses, how merch sales are going to work, you know, that kind of thing. |
| 1:41.6 | Where things get interesting are the artist's requirements. |
| 1:46.0 | The things that they need backstage to ensure that they're in a good headspace to play |
... |
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