4.4 • 2K Ratings
🗓️ 20 April 2023
⏱️ 38 minutes
🧾️ Download transcript
New Guest Expert! On this week’s Aftermath, Rebecca speaks with writer and editor David Lazar about A Million Little Pieces and his views on the state of the modern memoir. A prolific essayist, David reminds us of the importance of genre and the somewhat elusive concept of truth value and how these can impact the delicate relationship between the author and the reader. Afterward, Fact Checker Chris Smith and Producer Clayton Early stop by to break it all down and see if the verdict holds up.
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0:00.0 | Hey Alarmy, we love doing this podcast and we want to keep putting out awesome episodes for free. |
0:04.9 | Help support the alarmist through the ACAST supporter feature. |
0:09.0 | It's up to you how much you give and there's no regular commitment. |
0:12.4 | All you have to do is click on the link in the show description and support now. |
0:16.7 | And who knows, maybe with your help, we can reach 1 million episodes. |
0:22.1 | And here he goes, original. |
0:25.2 | Each week we decide who's to blame for historical tragedy. |
0:29.5 | And each week you tell us if we got it right. |
0:33.6 | My name is Rebecca Delgado-Smith and this is The Aftermath. |
0:40.0 | Hey everyone, thanks for tuning into this episode of The Aftermath. |
0:43.5 | Today we're speaking with guest expert David Lazar. |
0:46.8 | David is a writer and the editor of Hotel America. |
0:50.4 | Among his many publications, he is also the author of The Body of Brooklyn |
0:55.2 | and he co-edits the 21st century essay series at Ohio State University Press. |
1:00.8 | Let's hear what he has to say about the scandal surrounding a million little pieces. |
1:06.1 | Hi David, thank you so much for joining us today. |
1:08.6 | My pleasure, thank you. |
1:10.5 | So I would love to start off by getting a little backstory on James Fry, |
1:16.1 | his career and kind of what led him to write the memoir a million little pieces. |
1:24.1 | Right, I don't know too much about the backstory other than the autobiographical details |
1:31.3 | that he represents. I know about the book and I certainly know about the backlash against the book |
1:39.6 | and the arguments that have emerged which quite frankly are fairly typical arguments |
... |
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