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1001 Classic Short Stories & Tales

THE ACTOR AND THE ALIBI A FATHER BROWN MYSTERY by G.K.CHESTERTON

1001 Classic Short Stories & Tales

Jon Hagadorn

Fiction, Arts

4.21.1K Ratings

🗓️ 21 May 2025

⏱️ 47 minutes

🧾️ Download transcript

Summary

Mundon Mandeville runs a thoroughly disliked repertoire theater company and is murdered inside a windowless room in the building although everyone involved has an alibi. 

Father Brown is a fictional Roman Catholic priest and amateur detective. He is featured in 53 short stories by English author G. K. Chesterton, published between 1910 and 1936.  Father Brown solves mysteries and crimes using his intuition and keen understanding of human nature. Chesterton loosely based him on the Rt Rev. Msgr John O'Connor (1870–1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922.[ Since 2013, the character has been portrayed by Mark Williams in the ongoing BBC television series Father Brown.

Character

Father Brown on a case, illustrated by Sydney Seymour Lucas for The Innocence of Father Brown
Father Brown is a short, plain Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human behaviour. His unremarkable, seemingly naïve appearance hides an unexpectedly sharp intelligence and keen powers of observation. Brown uses his unimposing demeanour to his advantage when studying criminals, to whom he seems to pose no danger, making him a precursor, in some ways, to Agatha Christie's later detective character Miss Marple. His job as a priest allows him to blend into the background of a crime scene, as others can easily assume he is merely there on spiritual business. 

Catch all our Father Brown stories in one place at www.bestof1001stories.com- see "episodes-categories-Father Brown

 

 

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome back everyone to 1001 classic short stories and tales and a banner day for all you Father Brown mystery fans.

0:22.2

We have today the story, the actor, and the alibi from the wisdom of Father Brown.

0:28.9

And now our story.

0:32.6

Mr. Mundan Mandeville, the theatrical manager, walked briskly through the passages behind the scenes, or rather

0:39.2

below the scenes. His attire was smart and festive, perhaps a little too festive. The flower in his

0:46.8

buttonhole was festive. The very varnish on his boots was festive. But his face was not at all

0:52.9

festive. He was a big, bullnecked, black-browed man,

0:58.1

and at the moment his brow was blacker than usual. He had in any case, of course, the hundred

1:04.2

botherations that besiege a man in such a position, and they ranged from large to small

1:09.7

and from new to old. It annoyed him to pass through

1:13.9

the passages where the old pantomime scenery was stacked, because he had successfully begun his

1:19.4

career at that theater with very popular pantomimes, and had since been induced to gamble in more

1:25.3

serious and classical drama, over which he had dropped a

1:28.3

good deal of money. Hence, to see the sapphire gates of Bluebeard's Blue Palace, or portions of

1:35.4

the enchanted grove of golden orange trees leaning up against the wall to be festooned with cobwebs

1:41.2

or nibbled by mice did not give him that soothing sense of a return to simplicity

1:46.2

which we all ought to have when given a glimpse of that wonderland of our childhood.

1:51.7

Nor had he any time to drop a tear where he had dropped the money, or to dream of this paradise

1:57.0

of Peter Pan, for he had been summoned hurriedly to settle a practical problem,

2:01.6

not of the past, but of the moment.

2:04.8

It was the sort of thing that does sometimes happen in that strange world behind the scenes,

2:09.8

but it was big enough to be serious.

...

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