The Absurdities of Race
The LRB Podcast
London Review of Books
4.4 • 581 Ratings
🗓️ 18 August 2020
⏱️ 58 minutes
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| 0:00.0 | If you enjoy listening to the LRB podcast, then you'll probably enjoy reading the LRB. |
| 0:06.1 | You can subscribe to the LRB from just one pound per issue. |
| 0:10.7 | To find out more, go to LRB.combe. |
| 0:14.0 | Forwards slash, listen. |
| 0:16.1 | That's LRB.m.m.m. |
| 0:18.8 | Forward slash listen. |
| 0:23.8 | Or click on the link in the description below this episode. |
| 0:31.2 | Welcome to the London Review of Books podcast. I'm your host, Adam Schatz. Today we have a very special guest, Paul Gilroy, one of our foremost thinkers on questions of race, nation, and |
| 0:37.0 | belonging in the modern world. |
| 0:39.4 | Gilroy is the founding director of the Sarah Parker Redmond Center |
| 0:43.5 | for the study of racism and racialization at University College London. |
| 0:49.4 | A protege of the late Stuart Hall, Gilroy is probably best known as the author of the Black Atlantic, |
| 0:56.0 | published in 1993, a book that not only coined a new term but helped revolutionize the study |
| 1:02.7 | of the cultures of the black diaspora. In all of his work, he has celebrated the creativity |
| 1:08.7 | and inventiveness of the writers, artists, and musicians |
| 1:12.2 | of the Black Atlantic, while also warning against what he is called the lure of ethnic absolutism, |
| 1:19.0 | cultural nationalism, and other forms of essentialist thinking. |
| 1:23.8 | Last year, Gilroy received the Holberg Prize awarded to a person who's made outstanding contributions to research in the arts, humanities, social science, law, or theology. |
| 1:35.6 | After you've listened to this podcast, I urge you to go online and read, or better yet, listen to his Holberg lecture, never again, refusing race and salvaging the human, |
| 1:47.5 | a powerful reflection on the crisis of our contemporary politics and imagination. |
| 1:53.2 | Gilroy's writing on race and racism is distinguished, not only by the way it cuts across |
| 1:58.1 | sociology, history, aesthetics, and philosophy, but by its |
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