4.6 • 640 Ratings
🗓️ 7 March 2023
⏱️ 117 minutes
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0:00.0 | Folks, we did it. We're almost halfway to the 30th annual screenwriting nominees, Q&A. |
0:05.4 | Howdy, I'm Jeff Goldsmith, and this is the Q&A. My agenda is simple. Each week I plan to bring |
0:10.9 | you in-depth insights into the creative process of storytelling. And yes, yes, we are halfway there. |
0:16.4 | It is the 15th annual screenwriting nominees Q&A. And wow, is this a fun one? We have five of the 10 |
0:23.7 | Oscar nominated films for screenwriting represented, and it is a great list. Today, our films and |
0:30.4 | guests include, and I'm going in alphabetical order by film, all quiet on the Western Front, |
0:36.0 | screenwriters Ian Stol and Leslie Patterson. |
0:39.2 | Thank you so much. |
0:40.1 | Really appreciate you. |
0:41.6 | Good to be here. |
0:42.9 | Glass Onion, written by Ryan Johnson. |
0:45.8 | Hello. |
0:46.5 | Living by Kazuo Ishiguro, who likes to go by Ish, so we'll be calling him Ish today. |
0:52.0 | Hi. |
0:52.5 | Triangle of Sadness by Ruben Osland. |
0:55.3 | Hello. |
0:56.1 | And women talking, written by Sarah Polly. |
0:58.7 | Thank you. |
0:59.4 | So this is a fantastic list of writers, and it really meant a lot to me to have them join us for the 15th annual screenwriting nominees' Q&A. |
1:07.8 | So here's some interesting statistics about today's nominees. For All Quite on the Western |
1:13.0 | Front, not only is this Ian and Leslie's first Oscar nomination, but it is also their first |
1:19.6 | produced screenplay. So kudos to them on that. This is also a first screenwriting nomination for |
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