4.6 • 640 Ratings
🗓️ 19 March 2022
⏱️ 105 minutes
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0:00.0 | There's just so many scripts to read and not enough time. But you know what? We've got a lot of time to talk about some scripts today. Welcome to the 14th annual screenwriting nominees, Q&A. Howdy? I'm Jeff Goldsmith, and this is the Q&A. My agenda is simple. Each week I plan to bring you in-depth insight into the creative process of storytelling. Folks, we have an absolutely amazing panel for you today. |
0:22.8 | And as the pandemic is still on, this was done as two Zooms. |
0:26.6 | And that's the way it's been for the 13th and 14th Q&As. |
0:30.4 | And before that, we would just fill a theater and do it live in front of an audience, |
0:33.9 | which I truly miss. |
0:35.1 | But you know what? |
0:35.7 | I'm still really happy with this Q&A because it |
0:37.9 | turned out great as these panelists are great. So let's get into it. So to understand the panelists, |
0:42.9 | you need to understand how this worked. It was done as three different zooms. First, we did a group |
0:47.9 | zoom, but two of our panelists were not present for it. They were actually in different time zones. So we went and we were able to |
0:54.3 | do separate zooms with them asking the exact same questions. And I got to say, I'm really happy |
0:58.6 | about how it cut in. So here's the lineup, folks. For our two zoom in panelists, it actually |
1:03.7 | happens to be the first two films because we are going alphabetically by film. So first up, |
1:09.6 | we have Belfast writer-director, Sir Kenneth Branagh. |
1:12.6 | Next is Drive My Car writer-director, Ryosuke. And if you've watched our previous podcast, |
1:18.9 | you'll know that Mr. Hamaguchi is speaking Japanese through a translator. And we leave the first |
1:23.7 | few seconds of what he has to say in because we want you to hear the filmmaker's voice, |
1:27.7 | but then we immediately cut to the translator. And then in our group chat, we have Dune co-writer, |
1:32.7 | John Spates, King Richard writer, Zach Balin, the Power of the Dog writer-director, Jane Campion, |
1:39.3 | and last but not least, the worst person in the world co-writer Escal Fokt. Now, you know, in many of the |
1:45.9 | previous years of our live panel, we did this at the Los Angeles Film School and we would |
1:50.4 | sell out the theater and do things in front of everybody live. And it was a blast and I miss |
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