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0:00.0 | You are a human animal. |
0:07.5 | You are a very special breed. |
0:11.3 | Or you are the only animal. |
0:15.0 | Who can think, who can reason, who can read. |
0:19.2 | Hello and welcome to Bookworm. |
0:21.3 | This is Michael Silverblad, and today I'm very pleased to have as my guest, Tess Gallagher, |
0:26.6 | the author most recently of at the Owl Woman Saloon, and she is the author primarily of seven |
0:36.8 | books of poetry beginning with instructions to the double, under stars, |
0:41.3 | willingly, amplitude. Well, most recently, her book Portable Kisses was expanded. She wrote |
0:49.7 | another book of short stories, The Lover of Horses, and a book of essays and interviews on poetry |
0:56.1 | called A Concert of Tenses. |
0:58.2 | But today we're primarily going to be talking about her new book of fiction at the Owl Woman |
1:03.9 | Saloon. |
1:04.9 | Now, the thing that I noticed most immediately is that the first thing that happens in the book, having been prepared to enter |
1:13.1 | a saloon, we enter a salon, a beauty salon, and there are transformations throughout on things |
1:22.3 | of this sort. History gives way to personal history. Owls appear, but not necessarily hoot owls. |
1:31.2 | They appear as parts of expressions. So I wanted to ask you first about the title and that |
1:36.8 | revivification of the mythology of the West. Yes, I love this idea of putting these contemporary stories up against what was the Wild West. |
1:49.7 | And I also like that kind of jazz slip note of saloon salon and how that sort of woke up the whole idea of what the salon was, both the artistic salon, |
2:03.8 | which is my book of the stories, that display, and also the salon, which is the beauty parlor, |
2:12.7 | where we go in to be transformed. |
2:15.7 | Now, this is a book of stories, but in a way, it's something else as well, because |
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