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Horror Queers

Tenebrae (1982) feat. Michael Varrati

Horror Queers

Horror Queers

Film Reviews, Lgbt, Film History, Gay, Queer Horror, Lgbt Horror, Tv & Film, Queer, Gay Horror

4.7932 Ratings

🗓️ 2 September 2020

⏱️ 95 minutes

🧾️ Download transcript

Summary

On this week's episode, Joe, Trace and special returning guest Michael Varrati board a plane to Rome to discuss the pod's very first Dario Argento film, 1982 (or is it 1984?)'s Tenebrae. This is another video nasty (see our episode on Island of Death), so it's got a convoluted production history that includes censorship and rumored on-set tension between Argento and frequent collaborator Daria Nicolodi. Tenebrae is also a surprisingly queer positive text from the master of horror, from the casual inclusion of a lesbian couple in the film's most notorious set piece to the casting of trans actress Eva Robins. It's also textbook Freudian psychosexual, right down to those red heels. Come for Michael's impassioned defence of dubbing in Gialli, stay for Trace's love of the doberman sequence (the Helen Shivers of giallo setpieces!), then leave for Michael's terrible dad jokes. Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, and/or Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Michael: @MichaelVarrati Support the boys on Patreon and shop our online store for your very own Horror Queers merchandise!  Hosted on Acast. See acast.com/privacy for more information.

Transcript

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0:00.0

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1:00.8

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1:20.6

Alice, Jesus Christ, hurry!

1:22.6

Please!

1:36.5

And welcome back to horror queers. We're talking Freudian red heels. We're talking Daria Nicolode's voluminous hair. And we're talking Peavots. And I'm Joe. And I'm Trace.

1:45.0

And we're talking about a love, Joe, a love that knows no bounds, and that is the love

1:50.2

between a man and his hat.

1:52.2

Yes.

1:53.2

Oh my gosh.

1:54.2

I had forgotten how much he can rock a hat and how good he looks.

1:59.2

Yeah.

2:00.2

John Saxon, oh, man, there's a lot in this movie that I'm like, why?

...

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