Especially, Tinkertail or Soldier Spy.

I came away from that very much with the feeling that what we've witnessed are real, valuable

things in the world, like loyalty to those you love, intelligence, perception, things

that are valuable, to terrible use, to terrible waste, for essentially nothing, right?

For what actually is accomplished or gained here, just sort of like the satisfaction

to be go, the context of this like closed system for, you know, the people outside of

it couldn't give a shit, like to me, all of these stories are just like tragedies of

waste, of admirable qualities used in the worst ways.

Right, it's just like the destruction, and I think that what makes him, again, very British

and not American, and I think this is part of living in a very class written, and even

cast written society is, there's only so much you can really do, right?

There's only so far you can rise, you're located, right?

And you're stuck in certain ways, and trying to break out of that can bring a great deal

of doom is dangerous.

And these characters that, characters that want to escape from that, either through

idealism or through using betrayal, using adultery, like all of these efforts to kind of

existentially dodged your role in life and get more out of it, usually come to tragic

conclusions.

It's a little conservative in the sense that like, you know, a person who does their job

and is humble and knows their station, which of all kind of very victory and idea of having

like a station in the duty in life, is the hero.

Smiley is archetypal hero, and the flamboyant characters, the idealists, these people come

...