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Sticky Notes: The Classical Music Podcast

Tchaikovsky Violin Concerto

Sticky Notes: The Classical Music Podcast

Joshua Weilerstein

Arts, Performing Arts, Music

4.92.5K Ratings

🗓️ 1 October 2020

⏱️ 49 minutes

🧾️ Download transcript

Summary

In one of the most famous reviews in this history of Western Classical Music, Eduard Hanslick torched the Tchaikovsky Violin Concerto, saying that the violin was "beaten black and blue." This review wounded Tchaikovsky to his core, and he wasn't sure if his concerto would ever see the light of day again. Luckily for him, and for us, the piece continued to get performed, and it is now one of THE most beloved pieces in the whole repertoire. Today we'll talk through this extraordinary concerto - join us!

Transcript

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0:00.0

Hello and I'm

0:02.0

and I'm a conductor

0:04.0

and the

0:09.0

Hello and welcome to sticky notes

0:10.0

the classical music podcast

0:12.0

My name is Joshua Weilerstein.

0:13.4

I'm a conductor, and I'm the artistic director

0:15.4

of the Lozan Chamber Orchestra in Lozan Switzerland.

0:18.2

This podcast is for anyone who loves classical music,

0:20.8

works in the field, or is just getting ready to dive in to this amazing

0:24.0

world of incredible music.

0:26.5

Before we get started, I want to thank my new Patreon sponsors Kate, Christine, and Mike, and

0:30.9

all of my other Patreon sponsors for making season six possible.

0:34.4

I'd also like to thank a new specifically for sponsoring today's show on

0:38.4

Patreon. If you'd like to support the show, please head over to patreon.com

0:42.3

slash sticky notes podcast. And if you are a fan of the show please just think a moment to give

0:46.5

us a rating or review on Apple Podcasts. Every rating review helps more people find

0:51.0

the show and it is greatly appreciated. It's one of the most

0:55.8

famous bad reviews in the history of Western classical music. December 4th 1881 the

1:02.1

premiere of Tchaikovsky's violin concerto, with the Vienna Philharmonic

1:06.0

conducted by the legendary Hans Richter, with the up-and-coming soloist Adolf Brodsky.

1:11.5

Edward Hanslich, the notorious critic who savaged the career of composers like

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