TCF Ep. 640 - Matthew Finley

The Candid Frame: Conversations on Photography

Ibarionex R. Perello

Cameras, Art, Photoshop, Visual Arts, Career, Interviews, Photographers, Arts, Photography, Photo, Digital

4.8 • 749 Ratings

🗓️ 8 May 2025

⏱️ 57 minutes

🔗️ Recording | iTunes | RSS

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Summary

Matthew Finley (b. 1972) uses his photography to express himself and connect to the world around him. With a variety of photography processes, he explores intimate emotions through gesture and line to communicate his experience. Growing up queer in an unaccepting environment, Finley felt apart from the world around him. Now, as an adult working through anxiety, the studio is a safe space to create where he can be vulnerable and express his true self. Creating and exhibiting his work is a way to forge relationships with viewers and help those who see themselves reflected in it to feel less alone. Finding inspiration in classic art and statuary, he addresses modern issues such as his coming out story, intimate relationships, and finding peace in our tumultuous world. Based in Los Angeles, Finley’s work has shown in solo and group shows in multiple galleries across the U.S. Most recently, his work was on the walls of the esteemed Fahey/Klein Gallery in Los Angeles with the likes of Herb Ritts and Herbert In 2024 Finley was awarded CENTER Santa Fe’s Personal Award as well as the Center for Photographic Art’s LGBTQ+ Artist Grant for his project An Impossibly Normal Life. Resources: Matthew Finley Website An Impossibly Normal Life Kickstarter Page Altadena Photographers Support Ibarionex & The Candid Frame Websites Photo Workshops & Webinars Breaking Out of a Rut: Tips for Creating Breakthroughs in Your Photography Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort. You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Transcript

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0:00.0	Our personal photographs are about our memories.
0:10.0	We memorialize special moments and the family and friends we share them with
0:15.0	because we want to hold on to those fleeting and precious moments in time.
0:20.0	Those images tell a story of who we were,
0:24.2	to ourselves, and to the many people that make up our lives. However, there is a lot that's
0:29.5	left out of those photographs, allowing those images to reflect an idealized version of ourselves.
0:37.0	There are omissions, sometimes accidental, sometimes
0:40.6	purposeful, that leave or relegate an important part of the narrative just outside of the frame.
0:47.8	Matthew Finley discovered that he might have a gay uncle years after he himself came out to his family.
0:54.8	It was a surprising revelation to him to imagine such reality, especially since he had himself
1:01.8	faced the challenge of revealing his sexuality to his conservative family.
1:07.5	The uncle had passed away years ago, so the burning questions he may have wanted to ask were left unanswered.
1:15.0	However, his curiosity of who this man was and how he might have lived led him to create a body of work.
1:22.8	Matt collected found imagery and began creating a fictional narrative set in a world that would have embraced
1:29.4	this man rather than ostracize him or discriminate against him. The project, an impossibly
1:35.9	normal life, creates a world that the photographer himself would have welcomed. The result is a body
1:43.1	of work that is tender, vulnerable, and beautiful.
1:47.0	This is Ibody and X, and this is The Candid Frame.
1:53.0	Well, Matthew, welcome to the Candid Frame.
2:00.0	Thank you so much for having me.
2:02.4	It's an honor and I'm excited to be here.
2:06.9	It'll be, we've chatted in the years that we've known each other,
	...

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