4.8 • 749 Ratings
🗓️ 20 January 2022
⏱️ 60 minutes
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0:00.0 | This episode of The Candid Frame is sponsored by the Charcoal Book Club. |
0:13.0 | Working with the most respected names of contemporary photography, |
0:17.0 | charcoal selects and delivers essential photo books to a worldwide community of collectors. |
0:23.6 | Each month, members receive a signed first edition monograph and an exclusive print to add to their collections. |
0:31.6 | Join the club by visiting Charlecoldbookclub.com and use the promo code the candid frame at checkout and receive a 10% |
0:40.6 | discount on your first membership payment. |
0:49.0 | Happy new year and welcome back for a new season of the Candid Frame. We are both excited and honored to bring |
0:57.2 | you more great conversations in our 16th year of production. And we began 2022 with a wonderful |
1:04.3 | conversation with fine art photographers Tick Harvey. She provides some wonderful insight into what it means not only to be creative, |
1:14.6 | but to live life creatively. She has published several amazing photography books, and her |
1:20.5 | latest is titled Blue Violet. This conversation with Sig is, I think, a great way to start a new year. |
1:29.7 | This is Ebody and X, and welcome back to The Candid Frame. |
1:40.1 | Well, I've been a great fan of your work for a long time and I'm really pleased to finally have a chance to sit and talk with you. |
1:47.7 | And going over your work, you know, there were so many things that was really fascinated by. |
1:53.4 | But one of the things I wanted to touch on, you know, you talk about early in your career about making the switch from taking pictures |
2:05.6 | of something and then transitioning to making pictures about something. |
2:10.6 | And I always have loved that statement. But I think one of the things to be able to begin to do that and do that effectively is to understand the language of photography. |
2:23.3 | And by that I don't mean just the mechanics of making the picture. |
2:27.3 | But just like if you're a writer, you have to understand the English language if you're writing in English. When you're using photography, you have to understand the language of photography. |
2:38.6 | And I'd love for you to sort of talk to us in terms of making that transition of making pictures of things and about things. |
2:47.7 | But at the same time, coming to understand the language of photography |
2:54.1 | and what tools you needed to sort of master in that respect |
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