4.8 • 749 Ratings
🗓️ 29 December 2020
⏱️ 49 minutes
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0:00.0 | This episode of The Candid Frame is sponsored by Charcoal Book Club. |
0:12.8 | The Charcoal Book Club is the monthly subscription service for photobook enthusiasts. |
0:18.0 | Working with the most respected names in contemporary photography, charcoal selects |
0:22.9 | and delivers essential photo books to a worldwide community of collectors. Each month, members receive a |
0:29.5 | signed first edition monograph and an exclusive print to add to their collections. Join the club |
0:35.9 | by visiting charcoal book club.com and use the promo code |
0:40.3 | the Candid Frame at checkout and receive a 10% discount on your first membership payment. |
0:48.2 | I don't have to tell you what kind of year 2020 has been. From a pandemic to social unrest, from indefatigable wildfires to an |
0:57.3 | endless election, enough has happened in one year to make me want to lay back and sit out the |
1:02.9 | rest of the decade. But despite the many challenges we faced, I'm glad that we've been here |
1:08.6 | to share part of this year's journey with you. |
1:12.2 | It's our hope that whatever you faced this year, we've provided you a small respite |
1:17.1 | from the endless noise and perpetual anxiety. |
1:21.6 | Considering that many of us have been locked up for a good part of the year, it seems appropriate |
1:26.4 | that Lucas Fulia should be our |
1:28.3 | final guest for this season, as his work is tethered to that special relationship that human |
1:34.1 | beings have to the land. Though we haven't been able to enjoy the outdoors in the way that we |
1:39.1 | would often like, it hasn't changed that we are still reliant and responsible for the planet we call home. |
1:47.2 | Raised on a family farm in New York, Lucas has dedicated his life to work that combines aspects of landscape, portraiture, and documentary photography to tell stories that are far too easy for us to overlook and dismiss, especially |
2:02.9 | during times like these. Lucas does the work to ensure that we don't. This is Ibarianx, |
2:10.4 | and welcome back to the Candid frame. Well, welcome to the show. It's a pleasure really to have you. Yeah, it's been fascinating to go through your work. It's, it was, I find kind of interesting about your sort of approach is that you leverage your work in so many different ways. You're, you know, fine art photographer, but you're also an activist, and you're |
2:35.6 | also sort of a storyteller. And you're finding different ways for your work to be seen, to be shared, |
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