4.8 • 749 Ratings
🗓️ 3 August 2020
⏱️ 50 minutes
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0:00.0 | Finding one's own voice in photography isn't just about technique or style. |
0:14.4 | Technique and style are easily duplicated, resulting in countless photographers who seem to |
0:20.1 | produce the same kind of work as others. |
0:22.6 | You don't have to look any further than Instagram for proof of that. |
0:26.6 | However, there are photographers whose uniqueness comes from how they both see and experience the world. |
0:34.6 | When they embrace that personal and genuine approach, they create bodies of work |
0:39.4 | unlike most others. Dwayne Michaels is one such photographer who for decades has created work |
0:46.6 | that challenges ideas of what photography can and should be. His early work moved beyond the |
0:52.9 | singular image and became the product of a visual poet and a storyteller. His early work moved beyond the singular image and became the product of a visual poet |
0:56.0 | and a storyteller. His examinations of mortality and sexuality have been born not from what he |
1:02.6 | thinks about, but how he thinks about them. As you'll hear, Dwayne Michaels is a unique voice, |
1:09.1 | whether you're looking at his photographs or hearing him speak. |
1:12.9 | This is Ibody and X, and welcome back to The Candid Frame. |
1:20.6 | So, Dwayne, welcome to the Candid Frame. It's a pleasure to have you. |
1:24.6 | I love being had. |
1:26.9 | I've been a long admirer of your work, but you probably hear that a lot. |
1:30.2 | Nevertheless, it's true. |
1:32.0 | Well, thank you. |
1:32.8 | One of the things that struck me is very interesting about your work is I heard you say |
1:38.2 | once that much of your work is sort of inspired either by what makes you afraid or what makes you angry. |
1:45.4 | And was that something that you were sort of aware of from your early days as making |
1:51.8 | photographs? |
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