4.8 • 749 Ratings
🗓️ 6 August 2019
⏱️ 53 minutes
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0:00.0 | There is currently an exhibit at the Annenberg Space 4 Photography here in Los Angeles, dedicated to hip-hop photography. |
0:16.0 | Called Contact High, it provides a comprehensive overview of how photography was used to market |
0:23.1 | and shape the image and character of hip-hop. Though initially defined by the sounds of MCs on the |
0:31.1 | streets and clubs of New York, it was the photographs that demonstrated that hip-hop was as much |
0:37.4 | about style as it was attitude. |
0:40.8 | One of the photographers that helped to define that era was Sheila Prebright, who began her documentation |
0:46.2 | of the music scene not in New York or even Los Angeles, but in Texas, which provided her a unique |
0:52.6 | opportunity to photograph an ever-evolving music scene. |
0:56.8 | At the same time, she was learning the ins and outs of being a working commercial photographer, |
1:02.1 | which sometimes involved not turning down an opportunity. |
1:06.2 | And my first photography job was with Burger King. |
1:12.4 | Didn't know what I was doing. |
1:14.0 | I was at a function. |
1:15.9 | And I can't remember how it all reflected, |
1:19.5 | but I met this guy, |
1:21.6 | and he said he worked for Burger King, |
1:23.1 | and he was looking for a photographer to shoot Ariel's. |
1:26.0 | He said, you know how to do that. |
1:27.7 | I'm like, yes, I didn't know how to do that, right? |
1:30.8 | So he says, well, you got a job. |
1:33.5 | And I'm so naive. And I'm like, oh, okay. |
1:35.9 | So I went to one of the photographers |
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