4.8 • 749 Ratings
🗓️ 24 December 2018
⏱️ 59 minutes
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0:00.0 | This is a body in X, and this is the Barienex, and this is The Candid Frame. |
0:22.5 | Stories of the last decades-long war and conflict in the Middle East rarely make the front |
0:27.9 | pages of newspapers and magazines anymore. |
0:31.6 | If anything rises to public attention nowadays, it usually has more to do with political |
0:36.5 | posturing than the long-term |
0:38.3 | effects of conflict, not only on soldiers, but the countless number of people for whom war |
0:43.9 | is a painfully palpable thing. Thankfully, there are photographers like Canadian Louis Palou, |
0:51.2 | who has made it his mission to tell the stories that are too easily lost amidst the |
0:56.2 | endless drone of a 24-hour news cycle. In his work as a photojournalist, including several |
1:03.2 | stints in Afghanistan, Louis has strived to great photographs that make a difference, that do |
1:08.6 | more than just serve as an illustration for an article. |
1:12.5 | His passion was born by more than a desire to have an exciting career. |
1:17.7 | The seeds of it were likely planted when he was just a boy, as his parents shared their own |
1:22.8 | personal experiences of war. |
1:25.7 | However, their stories, especially the more graphic tales, did not come easily. |
1:31.3 | They didn't give up the information, the deeper part of the information. |
1:36.3 | Early on, it was more used as lessons. Like, you better finish eating everything on your plate. |
1:43.3 | Do you know when I was young how my life was? |
1:45.6 | I was poor. |
1:46.5 | There was no food. |
1:47.8 | What we did have, soldiers would come on patrol in our village and take away from us. |
1:52.7 | Or the freedom, the guerrillas, the partisans would come and take it away. |
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