TCF Ep. 413 - Nancy Lehrer

The Candid Frame: Conversations on Photography

Ibarionex R. Perello

Arts, Visual Arts

4.8 • 768 Ratings

🗓️ 26 March 2018

⏱️ 49 minutes

🔗️ Recording | iTunes | RSS

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Summary

Nancy Lehrer is a computer scientist by profession, classical musician by history, and photographer by passion. "I set out to capture daily life and interactions. These life events are sometimes celebratory but more often commonplace. They are made up of simple scenes, conversations and actions. Concentrating on layers, color, and gesture I aim to weave a specific action in with its backdrop. I am an observer, seeking to find and record a bit of today's culture and community." Nancy Lehrer, is an independent photographer based in Thousand Oaks, California and has been using photography to capture her unique world-view for most of her life. Nancy has studied photography from several American photography masters including Jay Maisel, Sam Abell, Gerd Ludwig, and Arthur Meyerson. She has received several local awards, and she lectures on photography in Los Angeles and Ventura County California. Resources: Nancy Lehrer Larry Fink Working the Street Photography Workshop - LACP 2018 StreetFoto Fest Workshops including Ibarionex's 2-Day Workshop TCF Ep.19 - Joel Meyerowitz TCF Ep. 162 - Joel Meyerowitz The Candid Frame Alexa Skill Download the free Candid Frame app for your favorite smart device. Click here to download for iOS. Click here to download for Android Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting patreon.com/thecandidframe or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via PayPal. You can follow Ibarionex on Instagram and Twitter.

Transcript

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0:00.0	Your support of the Candid Frame over the past 12 years has been invaluable to us.
0:05.5	You have not only helped us to produce over 400 episodes, but your donations directly helped us to create the Candid Frame app and making it available for free.
0:15.3	We are now proud to announce the release of a new way for you to listen to TCF.
0:20.6	We have released a new skill that is compatible
0:22.8	with Amazon Alexa enabled devices. Using voice commands, you can listen to the latest episodes,
0:29.0	jump forward and back, and if you stop listening partway through an episode, it will remember
0:33.8	where you left off. And like the Candid Frame app, it's free for users in the U.S.
0:39.0	and Canada. In the coming months, the skill will be available in other countries. And I'll let you
0:44.4	know when those become available. You can help and continue to support the work that we do here
0:49.1	by contributing as little as $2 a month to our Patreon campaign. You not only help us to meet our cost of production,
0:56.4	but provide us the means to improve the quality of the show
0:59.2	and do so much more.
1:01.2	Contribute today by visiting patreon.com
1:03.7	forward slash the candid frame. This is Ebody and X, and this is The Candid Frame.
1:23.9	Gather a group of photographers together, and often the conversation revolves around gear and sure equipment plays an important role in what we do and i love finding out about the latest technology as much as the next guy but it's the conversations that revolve around process about how people do what they do that often provides me the
1:45.9	greatest insight. Learning how another photographer thinks, sees, and shoots can give me a
1:52.5	perspective on my own approach, especially if I and the other photographer share a particular
1:57.8	genre of photography. I have known Nancy Laird for several years now, and I've
2:03.2	had the pleasure to see her evolution as a photographer. It's something that I appreciated
2:07.8	all the more when I had the opportunity to read her new book, Life Happens in Color, a street
2:13.8	photography manifesto. I came away from reading the book, feeling that I not only had a clearer perspective on how I do things,
2:22.4	but some options of how I might approach things a little differently the next time I go out to photograph.
	...

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