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The Candid Frame: Conversations on Photography

TCF Ep. 394 - Ada Trillo

The Candid Frame: Conversations on Photography

Ibarionex R. Perello

Arts, Visual Arts

4.8768 Ratings

🗓️ 7 November 2017

⏱️ 42 minutes

🧾️ Download transcript

Summary

Ada Trillo is a Philadelphia-based artist who was born and raised on the Mexican/American border. She had long wanted to do a body of work which focused on the social problems in Mexico to raise awareness and try to make a difference. Several years ago, she was afforded the opportunity to capture a series of photographs centering on the lives of prostitutes in her hometown of Juarez, Mexico. This series was meant to depict and problematize the adversity these women must overcome in their daily lives. She discovered that the majority of the girls in the brothels are not from Juarez but from different parts of the country who had arrived in Juarez with the hopes of emigrating to the US. Many of them arrived with their families and were left behind. Others had been abducted. Ada wants to emphasize that she likes these women, and wants others to understand their circumstances. They have no healthcare and no access to rehabilitation. If they cannot attract clients, they go without food. Ada is carrying out this project because she wants to document an ugly reality that must be exposed. She also hopes to raise funds for the nuns to help more girls and to collaborate with the Coalition Against Trafficking Women, an international organization dedicated to protecting human rights. This series and experience has greatly humbled her and I hope that it will have an impact, moving viewers to want to make a difference as well. Resources: Ada Trillo Gabriel Martinez Storyblocks Dotan Saguy - TCF Ep. 355 4x5 Photo Fest Miami Street Photography Festival Download the free Candid Frame app for your favorite smart device. Click here to download for iOS. Click here to download for Android Click here to download for Windows Support the work we do at The Candid Frame with contributing to our Patreon effort. You can do this by visiting patreon.com/thecandidframe or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via PayPal. You can follow Ibarionex on Instagram and Twitter.

Transcript

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0:00.0

The Candid Frame is supported by donations by listeners just like you.

0:05.1

Help us to bring you great conversations with great photographers.

0:09.7

Support the show today with your monthly contribution through our Patreon effort at patreon.com

0:16.3

or click on the link in the show notes or the website at the candid frame.com.

0:25.9

Thank you.

0:32.3

This episode of the Candid Frame is sponsored by Storyblocks.

0:38.3

It's the first and only subscription-based stock media company that offers unlimited downloads of member library content for modest annual fee of just $149 a year per site, while providing its contributing artist 100% of the sales revenue from their photographs,

0:56.2

video, or audio. To find out more, visit storyblocks.com forward slash candid.

1:04.8

This is IbarianX, and this is The Candid Frame. One of photography's greatest strengths is its ability to shine a light onto the darker areas of human nature.

1:17.1

There's Lewis Hines' work on child labor during the early part of the 20th century.

1:22.6

Or W. Eugene Smith's documentation of mercury poisoning on the village of Minamara in Japan,

1:28.8

or Mary Ellen Mark's work on homeless children in the northwest.

1:33.7

These and many other photographers like them use the camera to turn our gaze onto something

1:39.5

that might otherwise be too easily ignored.

1:43.3

Ada Trio's work, documenting the lives of prostitutes on the

1:47.0

U.S.-Mexican border, started off as an examination of immigration issues, but quickly turned

1:53.4

into an exploration of how some women are led into a life of violence, drug abuse, and premature

2:00.0

death.

2:06.9

These photographs and the stories behind them help us to reconsider our assumptions and judgments of the women become lost to this world.

2:14.7

Well, I know, welcome to the Candid Frame.

2:16.7

It's a real pleasure to have you.

2:18.4

Your work is very fascinating, and as soon as I saw it, I knew that I wanted to have a chance to talk with you and share it with my audience.

...

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