TCF Ep. 369 - Lisa Krantz
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 24 April 2017
⏱️ 50 minutes
🧾️ Download transcript
Summary
Transcript
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| 0:00.0 | The Candid Frame is supported by donations by listeners just like you. |
| 0:05.1 | Help us to bring you great conversations with great photographers. |
| 0:09.7 | Support the show today with your monthly contribution through our Patreon effort at patreon.com |
| 0:16.3 | or click on the link in the show notes or the website at |
| 0:23.8 | thecandidframe.com. Thank you. |
| 0:30.7 | This is about your next, and this is The Candid Frame. |
| 0:41.2 | Though photojournalism has produced its share of iconic imagery, it's the photographs that lean towards the intimate, rather than the dramatic, that resonate with me. |
| 0:52.6 | It's often done the essay, the photo story, that helps us to connect at a more human level. |
| 0:59.9 | There is something about people opening up their lives during difficult and even painful times |
| 1:05.4 | that allows us to bridge the gap between us and them, in a way that is more powerful than anything |
| 1:13.0 | provided by modern technology. |
| 1:17.3 | Photojournalist Lisa Krantz knows this well, and her photographs demonstrate that. |
| 1:22.1 | Whether she is photographing a man's struggles with obesity, or the struggles of an inner-city |
| 1:26.9 | school, or survivors of a mass |
| 1:29.3 | shooting she demonstrates why photography and its ability to tell a story while evoking |
| 1:35.7 | empathy is as invaluable today as it's ever been all right Lisa welcome to the Candid Frame. |
| 1:46.6 | I'm really excited to have you on the show. |
| 1:49.0 | Well, thank you very much for having me. |
| 1:50.5 | I appreciate it. |
| 1:51.3 | I was looking at your work, particularly the photo essays that you've worked on. |
| 1:55.8 | And I really was really amazed by the work, especially the story that you did on Hector Garcia, |
| 2:03.7 | which is where I wanted to start the conversation. |
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