TCF Ep. 334 - Stacey Tyrell
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 8 August 2016
⏱️ 51 minutes
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Summary
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| 0:00.0 | The Candid Frame is supported by donations by listeners just like you. |
| 0:05.2 | Help us to bring you great conversations with great photographers. |
| 0:09.7 | Support the show today with your monthly contribution through our Patreon effort at patreon.com |
| 0:16.3 | or click on the link in the show notes or the website at the candid frame.com. |
| 0:25.9 | Thank you. |
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| 0:41.0 | Use the offer code Candid Frame at checkout to get 10% off. |
| 0:44.8 | Squarespace. |
| 0:46.0 | Build it beautiful. |
| 0:48.3 | This is Ebodyinx and this is the Candid Frame. |
| 0:51.8 | Issues revolving around race and ethnicity have been in the news a lot, especially |
| 0:56.5 | during this political season. But it's always been a subject of photography, resulting in some of the |
| 1:03.2 | most interesting and sometimes controversial bodies of work. At its best, this kind of photography |
| 1:10.2 | goes beyond what you see and forces you to think |
| 1:13.4 | about how you see others and even yourself. That's the challenge offered by Stacey Terrell's |
| 1:19.0 | project, Bakra Bluin. Terrell's family heritage has its roots both in the Caribbean and in Europe, |
| 1:26.1 | specifically around Scotland. |
| 1:28.3 | In a series of self-portraits, she transforms the physical markers of her face, |
| 1:33.3 | her brown skin and curly hair, and creates characters that people would automatically |
| 1:38.3 | identify as white due to their skin tone, hair, and clothing. |
| 1:42.3 | The work challenges people to think about how skin color influences and changes how we perceive physical characteristics and who we assume someone is because of the color of their skin. |
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