TCF Ep. 298 - Sandro Miller
The Candid Frame: Conversations on Photography
Ibarionex R. Perello
4.8 • 768 Ratings
🗓️ 2 November 2015
⏱️ 52 minutes
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Summary
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| 0:00.0 | The Candid Frame is supported by donations by listeners just like you. |
| 0:04.8 | Help support the show by clicking on the donate button on the website or in the show notes. |
| 0:25.8 | This is Eibati in X, and this is The Candid Frame. |
| 0:32.2 | Sandro is a photographer who's achieved success in a variety of ways. |
| 0:38.0 | His commercial photography business has allowed him to create and maintain a beautiful studio space in Chicago that includes hiring a team of talented people. It's allowed him to pursue a variety |
| 0:44.7 | of personal projects which have helped to define him as a photographer and created even more |
| 0:50.5 | opportunities for him. His recent collaboration with John Malkovich, in which the actor |
| 0:56.0 | takes on the roles of subject in some of the world's most iconic portraits, is just one example |
| 1:02.7 | of that. Sandro also achieved success as a family man, raising a baby girl into a young woman |
| 1:09.9 | in his role as a single father. |
| 1:13.0 | And when you look at Sandra's work, it's not just his subject matter or technique that you admire. |
| 1:19.3 | It's the range of his creativity as a photographer. |
| 1:22.4 | Whether he's photographing celebrities, blues musicians, Cuban boxers, he honors each in a unique and special way. |
| 1:31.5 | You don't look at his work and identify his photographs by a particular style or lighting approach. |
| 1:38.3 | It seems as if he's able to take his skills as a photographer and create something that honors his subjects and |
| 1:45.8 | create something singularly unique to them. It's that respect and empathy that I believe makes |
| 1:53.6 | him such a unique talent and why he and his work are so worthy of your attention. |
| 2:01.3 | All right. |
| 2:02.2 | Well, thanks again for doing this. |
| 2:03.9 | I appreciate having the chance to sit down with you. |
| 2:07.3 | You're so welcome. |
| 2:08.2 | Thank you for having me on. |
... |
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